Wydawnictwo: Wergo
Nr katalogowy: WER 73282
Nośnik: 1 CD
Data wydania: listopad 2020
EAN: 4010228732825
Nr katalogowy: WER 73282
Nośnik: 1 CD
Data wydania: listopad 2020
EAN: 4010228732825
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): włoski
Instrumenty: fortepian
Rodzaj: suita
Epoka muzyczna: współczesna
Obszar (język): włoski
Instrumenty: fortepian
Rodzaj: suita
Scelsi: Suite 8 & 11 per pianoforte
Wergo - WER 73282
Kompozytor
Giacinto Scelsi (1905-1988)
Giacinto Scelsi (1905-1988)
Wykonawcy
Sabine Liebner, piano
Sabine Liebner, piano
Utwory na płycie:
Suite für Klavier Nr. 8, "Bot-Ba" - 1.- Suite für Klavier Nr. 8, "Bot-Ba" - 2.
- Suite für Klavier Nr. 8, "Bot-Ba" - 3.
- Suite für Klavier Nr. 8, "Bot-Ba" - 4.
- Suite für Klavier Nr. 8, "Bot-Ba" - 5.
- Suite für Klavier Nr. 8, "Bot-Ba" - 6.
- Suite für Klavier Nr. 11 - 1.
- Suite für Klavier Nr. 11 - 2.
- Suite für Klavier Nr. 11 - 3.
- Suite für Klavier Nr. 11 - 4.
- Suite für Klavier Nr. 11 - 5.
- Suite für Klavier Nr. 11 - 6.
- Suite für Klavier Nr. 11 - 7.
- Suite für Klavier Nr. 11 - 8.
- Suite für Klavier Nr. 11 - 9.
Suite No. 8 – Bot-Ba
Suite No. 11
Suite No. 11
Giacinto Scelsi (1905–1988) is one of the most unusual composers of the twentieth century, a unique figure whose importance was only fully recognized and celebrated after his death. During his lifetime, he was often dismissed, especially in Italy, as a pretentious dilettante because he did not notate his music himself. Beginning in the mid-1950s, he recorded his improvisations at the piano and had them transcribed by others.
In this way, in the course of only a few years hundreds of piano pieces appeared, many of which Scelsi then collected into suites. He began his series of suites with the number 8, since the number 8 had for him a mystic significance. The “Suite No. 8” is subtitled “Bot-ba”, which means “Tibetan”. In fact, the suite has nothing to do with actual Tibetan ritual music, but is an expression of Scelsi’s deep affinity for Eastern philosophy.
His final “Suite No. 11” is a special case and was put together quite late in Scelsi’s life, at least in its final version. The interpretation by internationally acclaimed pianist Sabine Liebner is therefore the first authentic recording of the work with its original sequence of movements. Liebner’s very differentiated and extremely fascinating 2015 recordings of Scelsi’s Suite No. 9 and Suite No. 10 (WER 67942) have been celebrated by critics.
Recording: 28th of February 2013, 7th of March und 4th of May 2014, 30–31st September 2019 & 21 May 2020, Deutschlandfunk Kammermusiksaal, Köln
In this way, in the course of only a few years hundreds of piano pieces appeared, many of which Scelsi then collected into suites. He began his series of suites with the number 8, since the number 8 had for him a mystic significance. The “Suite No. 8” is subtitled “Bot-ba”, which means “Tibetan”. In fact, the suite has nothing to do with actual Tibetan ritual music, but is an expression of Scelsi’s deep affinity for Eastern philosophy.
His final “Suite No. 11” is a special case and was put together quite late in Scelsi’s life, at least in its final version. The interpretation by internationally acclaimed pianist Sabine Liebner is therefore the first authentic recording of the work with its original sequence of movements. Liebner’s very differentiated and extremely fascinating 2015 recordings of Scelsi’s Suite No. 9 and Suite No. 10 (WER 67942) have been celebrated by critics.
Recording: 28th of February 2013, 7th of March und 4th of May 2014, 30–31st September 2019 & 21 May 2020, Deutschlandfunk Kammermusiksaal, Köln
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