Wydawnictwo: Wergo
Nr katalogowy: WER 73772
Nośnik: 1 CD
Data wydania: grudzień 2018
EAN: 4010228737721
Nr katalogowy: WER 73772
Nośnik: 1 CD
Data wydania: grudzień 2018
EAN: 4010228737721
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): hiszpański
Instrumenty: fortepian
Epoka muzyczna: współczesna
Obszar (język): hiszpański
Instrumenty: fortepian
Posadas: Erinnerungsspuren. Zyklus für Klavier
Wergo - WER 73772
Kompozytor
Alberto Posadas (ur. 1967)
Alberto Posadas (ur. 1967)
Wykonawcy
Florian Hoelscher, piano
Florian Hoelscher, piano
Utwory na płycie:
Anklänge an François Couperin
Anklänge an La cathédrale engloutie
Anklänge an Robert Schumann
Anklänge an Aitsi
Anklänge an Stockhausen
Anklänge an B. A. Zimmermann
Anklänge an La cathédrale engloutie
Anklänge an Robert Schumann
Anklänge an Aitsi
Anklänge an Stockhausen
Anklänge an B. A. Zimmermann
Erinnerungsspuren by Alberto Posadas is an homage to the piano in six parts. In his "reminiscences", the Spanish composer brings to mind some of the best in his profession, taking them as sources for his studies of the piano's sound space.
From François Couperin to Robert Schumann and Claude Debussy to Bernd Alois Zimmermann and Karlheinz Stockhausen. What matters to Posadas in his cycle is not to make explicit connections to the past; he rather discerns concepts from the historical repertoire, namely Erinnerungsspuren [memory traces], that find expression in pianistic experiments.
Special playing techniques with the pedals, with preparations and inside the piano allow changes of individual sounds and micro-intervals while they are resounding, thus creating a trans-historical sound space.
In his cycle Alberto Posadas gives less answers than he raises questions in which the music of his six predecessors can be heard as sounds of remembrance: How can new and old material put each other in a different light and perhaps even redefine themselves? And what can be the meaning of quotations when it comes to building bridges between old and new, between the known and the unknown?
Recording: 26.–27. März sowie 22.–23. Mai 2018, WDR Köln, Klaus-von-Bismarck-Saal
From François Couperin to Robert Schumann and Claude Debussy to Bernd Alois Zimmermann and Karlheinz Stockhausen. What matters to Posadas in his cycle is not to make explicit connections to the past; he rather discerns concepts from the historical repertoire, namely Erinnerungsspuren [memory traces], that find expression in pianistic experiments.
Special playing techniques with the pedals, with preparations and inside the piano allow changes of individual sounds and micro-intervals while they are resounding, thus creating a trans-historical sound space.
In his cycle Alberto Posadas gives less answers than he raises questions in which the music of his six predecessors can be heard as sounds of remembrance: How can new and old material put each other in a different light and perhaps even redefine themselves? And what can be the meaning of quotations when it comes to building bridges between old and new, between the known and the unknown?
Recording: 26.–27. März sowie 22.–23. Mai 2018, WDR Köln, Klaus-von-Bismarck-Saal