
Wydawnictwo: Wergo
Nr katalogowy: WER 74132
Nośnik: 1 CD
Data wydania: grudzień 2025
EAN: 4010228741322
Nr katalogowy: WER 74132
Nośnik: 1 CD
Data wydania: grudzień 2025
EAN: 4010228741322
Nasze kategorie wyszukiwania
Epoka muzyczna: klasycyzm, 20 wiek do 1960, współczesna
Obszar (język): niemiecki, szwajcarski
Instrumenty: fortepian
Rodzaj: sonata
Epoka muzyczna: klasycyzm, 20 wiek do 1960, współczesna
Obszar (język): niemiecki, szwajcarski
Instrumenty: fortepian
Rodzaj: sonata
Heinz / Beethoven / Wyttenbach: Lifelines
Wergo - WER 74132Heinz Holliger:
Albumblätter – Album leaves
Lifelines for piano solo
Ludwig van Beethoven:
Piano Sonata No. 30 in E Major, Op. 109 (op. 109, II and III with elaborations based on Beethoven’s sketches by Jürg Wyttenbach)
Jürg Wyttenbach:
Three piano pieces
Albumblätter – Album leaves
Lifelines for piano solo
Ludwig van Beethoven:
Piano Sonata No. 30 in E Major, Op. 109 (op. 109, II and III with elaborations based on Beethoven’s sketches by Jürg Wyttenbach)
Jürg Wyttenbach:
Three piano pieces
Heinz Holliger, an exceptional oboist, pianist, and composer, did not compose anything for piano for almost 40 years after his 1961 work “Elis – Three Nocturnes”. A whole series of musical tributes and birthday greetings composed since the beginning of the 21st century was then published in 2019 under the Schumannesque title “Albumblätter” (Album Leaves) and has now been recorded in its entirety for the first time by Kirill Zvegintsov. These are typically Holligerian, highly intricate showpieces with many references, which are expertly explained in the album essay. These works are combined with early and late piano works by the Swiss composer and pianist Jürg Wyttenbach, who died in 2021 and had a close musical relationship with Holliger. In the last years of his life, this expert in New Music took on the daring task of completing Beethoven's sketches for an alternative third movement for his Piano Sonata Op. 109 – an undertaking that only such a skilled pianist and composer could attempt. In the last days of his life, Wyttenbach was able to listen to the premiere of this reconstruction by Zvegintsov. The Ukrainian pianist combines and contrasts this experiment with the original modern works in a very stimulating way.












