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wh0056
Wydawnictwo: Wigmore Hall
Nr katalogowy: WH 0056
Nośnik: 1 CD
Data wydania: styczeń 2013
EAN: 5065000924584
43,00zł
na zamówienie
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Nasze kategorie wyszukiwania

Epoka muzyczna: klasycyzm, barok, romantyzm
Obszar (język): niemiecki, polski
Instrumenty: skrzypce, fortepian

Bach / Beethoven / Wieniawski: Maxim Vengerov & Itamar Golan: Bach & Beethoven

Wigmore Hall - WH 0056
Wykonawcy
Maxim Vengerov, violin
Itamar Golan, piano
Nagrody i rekomendacje
 
Fanfare Recommendation Diapason 5 Music Island Recommends
 
Bach:
Partita no2 BWV 1004
Beethoven:
Violin Sonata Kreutzer op. 47
Wieniawski:
Scherzo-Tarantelle op. 16
Brahms:
Hungarian Dance no 1 g-moll
A virtuoso of legendary renown, Maxim Vengerov is acclaimed as a musician of the highest order. Following a prodigious debut at the age of five, he has enjoyed a successful career throughout the world and, over the past quarter-century, has been internationally celebrated as a violinist, teacher and conductor.

His return to Wigmore Hall in April 2012 will be remembered as one of the great landmarks of the London concert season, as he performed cornerstones of the violin repertoire to a sold-out Hall, confirming his reputation as one of the world’s most dynamic artists. With a warm, rich tone, he created a personal and intimate atmosphere from the very beginning of Bach’s Partita No. 2 in D minor, which opened the recital. Playful and searching, his soulful outpourings and refined expression resonated deeply though every movement. Vengerov was joined by recital partner Itamar Golan for a fiery and adventurous performance of Beethoven’s grand ‘Kreutzer’ sonata. With an energetic approach, this shining rendition presented both musicians as equal partners in the magnificent masterwork, their ensemble fresh and conversational throughout.

The blazing passion is almost tangible in the two encores, Hungarian Dance No. 1 by Brahms, and Scherzo-Tarantella by Wienawski, as Vengerov’s true virtuosity was fully unleashed to awe-inspiring effect. Marking his much anticipated return to the performance platform, this recording is an absolute ‘must-have’.

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