
Wydawnictwo: Challenge Classics
Nr katalogowy: ZZ 76147
Nośnik: 1 CD
Data wydania: grudzień 2025
EAN: 608917614725
Nr katalogowy: ZZ 76147
Nośnik: 1 CD
Data wydania: grudzień 2025
EAN: 608917614725
Biber: NOVA ATLANTIS
Challenge Classics - ZZ 76147
Kompozytor
Heinrich Biber (1644-1704)
Nicola Matteis (1670-1698)
Dieterich Buxtehude (c.1637-1707)
Sebastiaan Schottke, Jia Lim, Miako Klein
Heinrich Biber (1644-1704)
Nicola Matteis (1670-1698)
Dieterich Buxtehude (c.1637-1707)
Sebastiaan Schottke, Jia Lim, Miako Klein
Wykonawcy
Jia Lim, harpsichord
Miako Klein, recorder, baroque violin, electronic
Jia Lim, harpsichord
Miako Klein, recorder, baroque violin, electronic
Miako Klein, Jia Lim, Sebastian Schottke:
Improvisation I - III
Spool reicul
Heinrich Ignaz Franz Biber:
Mystery Rosary:
Sonata No. 1 in D Minor
Nicola Matteis jr:
Fantasia in A Minor 'Alia Fantasia'
Dietrich Buxtehude:
Chaconne in E minor, BuxWV 160
Girolamo Frescobaldi:
Capriccio di obligo di cantare la quinta parte senza toccarla
Matthias Weckmann:
Toccata in D Minor
Johann Heinrich Schmelzer:
Violin Sonata No. 1, Unarum Fidium
Improvisation I - III
Spool reicul
Heinrich Ignaz Franz Biber:
Mystery Rosary:
Sonata No. 1 in D Minor
Nicola Matteis jr:
Fantasia in A Minor 'Alia Fantasia'
Dietrich Buxtehude:
Chaconne in E minor, BuxWV 160
Girolamo Frescobaldi:
Capriccio di obligo di cantare la quinta parte senza toccarla
Matthias Weckmann:
Toccata in D Minor
Johann Heinrich Schmelzer:
Violin Sonata No. 1, Unarum Fidium
Welcome to the Sound House a place of contemplation, curiosity, and discovery. Here, echoes of the Baroque intertwine with the unpredictable shimmer of electronics, as Miako Klein and Jia Lim traverse centuries of sound and imagination. Drawing inspiration from Francis Bacon’s New Atlantis (1626), the duo reimagines the “sound-houses” he described laboratories of resonance and invention as a living metaphor for their own musical practice. At the heart of Nova Atlantis lies a dialogue between the historical and the experimental, between notation and improvisation, between gut strings and glowing LEDs. A Renaissance harpsichord replica hums beside recorders and baroque violins; beneath, a constellation of cables and pedals shape the music into new dimensions of color and texture. Klein and Lim explore the Doctrine of Affections through fresh ears, uncovering the rhetorical power of the old masters Biber, Matteis, Buxtehude, Frescobaldi, Weckmann, and Schmelzer and reanimating their spirit through the lens of the Stylus Fantasticus. Improvisation flows freely, merging the precision of early music with the spontaneity of modern sound art. The result is a sonic journey through past and present, where historical gestures resonate with electronic echoes, and the language of the Baroque is refracted through contemporary sensibilities.








