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Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72794
Nośnik: 1 CD
Data wydania: maj 2019
EAN: 608917279429
w magazynie
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Epoka muzyczna: barok
Obszar (język): włoski
Instrumenty: wiolonczela, teorban
Rodzaj: sonata

Lanzetti: Sonatas for Violoncello Solo and Basso Continuo Op. 1 - Vol. 1

Challenge Classics - CC 72794
Agnieszka Oszanca, cello
Maria Misiarz, cello
Gabriele Palomba, theorbo
Fabio Bonizzoni, harpsichord
Nagrody i rekomendacje
Music Island Recommends
Sonata in A Minor No. 9
Sonata in G Major No. 1
Sonata in B flat Major No. 6
Sonata in A Minor No. 5
Sonata in A Major No. 2
Sonata in F Major No. 11
The protagonist of this recording, Salvatore Lanzetti, an Italian cellist and composer, was born in Naples around 1710. He studied cello and composition in his hometown. There is evidence to suggest that between 1730 and 1754, Lanzetti spent a substantial amount of time in London, where, according to Charles Burney, he helped to popularize his instrument and establish its newly acquired solo status amongst the English music lovers. In 1736 in Amsterdam, our 12 Sonate a Violoncello Solo e Basso Continuo were published as his Opus 1, dedicated to Federico di Brunswick (Frederick, Prince of Wales). His fame as one of the first true cello virtuosi and that of a composer prone to the technical innovations of the instrument was recognized by M. Corrette in his Methode, théorique et pratique pour apprendre en peu de tems le violoncelle dans sa perfection (Paris 1741), where he refers precisely to the Sonatas op. 1. The beauty of the Opus 1, the subject of this recording, lays in their incredible versatility, not only in terms of technical complexity, but also character and the mixture of the French and Italian style which was popular at the time. The extensive use of double stops, shifting, explorations of the entire fingerboard, thumb position and employment of complex bowing techniques, that were until this time the reserve of violin technique, testify to Lanzetti’s extraordinary command of his instrument and fearless imagination.

Agnieszka Oszanca studied historical cellos with Viola de Hoog at Utrecht Conservatory. She performs regularly with European orchestras and chamber music ensembles, in the most important concert venues and at Early Music festivals. Agnieszka has recorded for Decca, Sony, Glossa, Alpha, Pan Classics and Globe Records.

Recording: Sala musicale “Giardino”, Crema (Italy), 7-9 January 2019. Agnieszka plays on a copy of an Italian baroque cello made especially for her by Jan Bobak in 2017.

Zobacz także:

  • NL 3039
  • CHR 77438
  • APR 6028
  • ARS 38553
  • ONYX 4189
  • CAR 83034
  • CDA 68282
  • COR 16172
  • CAR 83310
  • RCD 1031