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Epoka muzyczna: romantyzm, 20 wiek do 1960, klasycyzm
Obszar (język): francuski, hiszpański, włoski
Instrumenty: gitara, instr. perkusyjne
Rodzaj: preludia
Epoka muzyczna: romantyzm, 20 wiek do 1960, klasycyzm
Obszar (język): francuski, hiszpański, włoski
Instrumenty: gitara, instr. perkusyjne
Rodzaj: preludia
Falla / Ravel / Boccherini: The Spanish Album
Chandos - CHAN 20382
Kompozytor
Manuel de Falla (1876-1946)
Maurice Ravel (1875-1937)
Luigi Boccherini (1743-1805)
Francisco Tárrega, Issac Albeniz, Vicente Amigo, Trad.
Manuel de Falla (1876-1946)
Maurice Ravel (1875-1937)
Luigi Boccherini (1743-1805)
Francisco Tárrega, Issac Albeniz, Vicente Amigo, Trad.
Wykonawcy
Krzysztof Meisinger, guitar
Patrycja Betley, percussion
Meisinger Soloists
Krzysztof Meisinger, guitar
Patrycja Betley, percussion
Meisinger Soloists
de Falla:
Danza espanola No. 1
Danza del molinero
Canción del fuego fatuo
Trad.:
Romance de amor
Tárrega:
Recuerdos de la Alhambra
Gran jota Aragonesa
Ravel:
Pavane pour une infante défunte
Boccherini:
Introduction and Fandango
Albeniz:
Preludio, Op. 232 No. 1
Amigo:
Requiem y Roma
Danza espanola No. 1
Danza del molinero
Canción del fuego fatuo
Trad.:
Romance de amor
Tárrega:
Recuerdos de la Alhambra
Gran jota Aragonesa
Ravel:
Pavane pour une infante défunte
Boccherini:
Introduction and Fandango
Albeniz:
Preludio, Op. 232 No. 1
Amigo:
Requiem y Roma
Born in 1984, Krzysztof Meisinger is one of the most fascinating and charismatic classical guitar players of our time, his artistic development having benefited from the profound influence of such teachers and music authorities as Aniello Desiderio (Italy) and Christopher Parkening (USA). His talent compared to that of the pianist Piotr Anderszewski and fellow guitarist Pepe Romero, he has performed all over the globe. Nigel Simeone notes: ‘Ranging from traditional songs to one of the leading flamenco composers of the present day, through music inspired by the sights and sounds of Spain from the 1700s to the early 1900s, Meisinger: The Spanish Album presents the guitar as the main protagonist in a programme of arrangements accompanied by strings and percussion: reworkings that are perhaps no more surprising than the music itself, much of it filtered through the creative imaginations of composers from Boccherini to Falla. The string accompaniments on this recording add warmth, colour, and sustaining harmonies to support the guitar, and to these have been added improvised percussion parts – from red-blooded castanets to the delicate, atmospheric sounds of bar chimes. Through all this, the guitar is the eloquent soloist, and the musical embodiment of Spain.’