Utwory na płycie:

• Have Mercy Upon Me, O God
• A Dialogue On A Kisse
• Christe Qui Lux Es (III, À 4)
• The Fairie Queen Proserpina
• Satyr’s Dance
• Pavan (À 5)
• Who Made Thee, Hob, Forsake The Plough?
• Triumph With Pleasant Melody
• Christe, Qui Lux Es (II, À 4)
• Sermone Blando (À 4)
• O Lord, How Vain
• In Nomine (À 5)
• Fantasia (À 6)
• From Virgin’s Womb
• Suite From Taffel-Consort – 1. Paduan
• Suite From Taffel-Consort – 2. Courante
• Suite From Taffel-Consort – 3. Aria
• Suite From Taffel-Consort – 4. Volta
• See, See, The Word Is Incarnate

Byrd:
Have mercy upon me, O God
Christe qui lux es (III, a 4)
Who made thee, Hob, forsake the plough?
Lawes:
A Dialogue on a Kisse
Campion:
The Fairie Queene Proserpina
Johnson:
Satyr’s Dance
Tomkins:
Pavan (a 5)
Simpson:
Suite from Taffel-Consort
Gibbons:
See, see, the word is incarnate

A musical journey to (post-)Elizabethan England as it transitioned from the renaissance into the early baroque period: consort songs, fantasies and dances by William Byrd and his successors in colourful interpretations by the Boreas Quartett Bremen, the Hathor Consort and the sopranos Dorothee Mields and Magdalene Harer.