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bissacd1942
Wydawnictwo: Bis
Seria: Beethoven Works for Piano Solo
Nr katalogowy: BISSACD 1942
Nośnik: 1 SACD
Data wydania: listopad 2015
EAN: 7318599919423
54,00zł
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Nasze kategorie wyszukiwania

Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: fortepian
Rodzaj: wariacje, walc

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Beethoven: Complete Works for Solo Piano, Vol. 14

Bis - BISSACD 1942
Wykonawcy
Ronald Brautigam, fortepiano
Nagrody i rekomendacje
 
Limelight BBC Music Choice Diapason 5 Music Island Recommends
 
6 Variationen über ein eigenes Thema, Op.?34
7 Variationen über God save the King, WoO?78
5 Variationen über Rule Britannia, WoO?79
32 Variationen über ein eigenes Thema, WoO?80
6 Variationen „Die Ruinen von Athen“ in D major, Op.?76
2 Präludien durch alle Dur-Tonarten, Op.?39
Dreistimmige Fuge in C major, Hess 64
Präludium in F minor, WoO?55
Menuett in F major, WoO?217
Allemande in A major, WoO?81
Anglaise in D major, WoO?212
Menuett in E flat major, WoO?82
2 Walzer, WoO?84 & 85
Ludwig van Beethoven’s first printed work was a set of variations – published in 1783 when he was only twelve years old – and his final keyboard composition was the massive set of thirty-three variations on a theme by Anton Diabelli, composed almost four decades later. Not counting the several movements in variation form included in the sonatas, his twenty-one sets of piano variations thus trace a line of development in his production, parallel to those formed by the 32 piano sonatas or the 16 string quartets. On this the 14th volume in his acclaimed traversal of Beethoven's keyboard music, Ronald Brautigam performs five sets, composed between 1802 and 1809. In three of these Beethoven uses themes of his own, including the Ruins of Athens Variations, Op.76, nick-named after the play for which Beethoven later wrote incidental music, reusing the martial theme in a 'Turkish march'. The two remaining sets both use English themes; Beethoven’s choice of God save the King and Rule Britannia may well reflect his often expressed respect for that country – as well as his interest in the English market for sheet music. As the final part of the programme, Brautigam includes a selection of smaller pieces, most of them of an earlier date than the preceding variations. Some of these are probably student pieces, in particular the Preludes Op.39 and WoO 55 and the Fugue in C major, fruits of the counterpoint exercises Beethoven was assigned by his first teacher, Christian Gottlob Neefe, and by Johann Albrechtsberger. Six dances close a disc that offers many opportunities to glimpse another Beethoven than the composer we all believe we know.

Zobacz także:

  • BISSACD 1892
  • BISSACD 1613
  • COR 16161
  • GEN 18607
  • AUDITE 97739
  • CHAN 10944
  • VA 11
  • CRC 3537
  • ALC 1601
  • BIS 1887