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bissacd2091
Wydawnictwo: Bis
Nr katalogowy: BISSACD 2091
Nośnik: 1 SACD
Data wydania: październik 2014
EAN: 7318599920917
54,00zł
w magazynie
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Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Rodzaj: requiem

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Mozart: Requiem

Bis - BISSACD 2091
Wykonawcy
Carolyn Sampson, soprano
Marianne Beate Kielland, mezzo-soprano
Makoto Sakurada, tenor
Christian Immler, baritone
Bach Collegium Japan / Masaaki Suzuki
Nagrody i rekomendacje
 
klassik heute 10 Diapason 5 SA-CD.net 5 Stars Music Island CD of the Month
 
W.A. Mozart:
Requiem K. 626 ed. Masato Suzuki
Laudate Dominum K. 339
Requiem Mass in D minor, K 626 (1791) completed and edited by Masato Suzuki, based on the autograph of Wolfgang Amadeus Mozart, with additions by Joseph Eybler and Franz Xaver Süßmayr. Includes alternative version of Tuba mirum. Vesperae solennes de confessore, K 339 (1780)

Digipak. Includes a 56-page booklet containing liner notes by Dr Christoph Wolff and Horst Scholz, and a description of the new completion by Masato Suzuki, in English, German and French. Texts of the Requiem and Vesperae in Latin with English translations.

Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. A prime reason for this is of course its musical qualities: as early as 1814 E.T.A. Hoffmann described the Requiem as ‘the most sublime achievement that the modern period has contributed to the church’. But even before that legends had begun to form around the work; that it was written to fulfil an anonymous commission – received through ‘an unknown, grey stranger’ – is the stuff of mystery novels, while the fact that Mozart fell ill and died while composing it has been exploited to great melodramatic effect. Among the numerous myths, one thing that we know for certain is that its first performance took place only a few days after Mozart’s death, at a memorial service for the composer. The performers used the composer’s incomplete autograph, but very soon attempts to complete the work were set in motion by Mozart’s widow. She first engaged Joseph Eybler and later Franz Xaver Süßmayr for the task, and in 1800 the Requiem appeared in print, in Süßmayr’s completion. This is still by far the most widely performed version, but it has also been severely criticized over the years, and many have tried to improve on it, or make their own versions based on the autograph. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.

Od momentu powstania w 1791 roku Requiem Mozarta stało się jednym z najbardziej intrygujących i zarazem „kultowych” dzieł w historii muzyki. Legendy z nim związane przeplatają się z prawdziwą historią powstawania i niedokończenia tego utworu przez Mozarta. Istnieje kilka jego wersji, ponieważ pracę nad tym utworem po śmierci Mozarta prowadzili m.in. Joseph Eybler i Franz Xaver Süssmayr. Masaaki Suzuki i jego Bach Collegium Japan znany jest przede wszystkim z wykonywania i nagrywania dzieł Johanna Sebastiana Bacha. Tym razem - muzycy utrwalili na płycie to „kultowe” mozartowskie dzieło. Masaaki Suzuki opracował swoją wersję Requiem w oparciu o autograf kompozytora, o czym możemy dokładnie przeczytać w dołączonej do płyty książeczce. „Gwiazdorska” obsada solistów i niezaprzeczalny kunszt wykonawczy wszystkich muzyków zapewnia wysoki poziom temu nagraniu. Płyta wzbogacona została także o Vesperae Solennes de Confessore. Pełen profesjonalizm.
Alina Mądry - Audio Video

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