Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72690
Nośnik: 1 SACD
Data wydania: marzec 2016
EAN: 608917269024
Nr katalogowy: CC 72690
Nośnik: 1 SACD
Data wydania: marzec 2016
EAN: 608917269024
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, współczesna, romantyzm
Obszar (język): hiszpański, hiszpański (Argentyna), włoski
Instrumenty: wiolonczela, fortepian
Rodzaj: suita, tango
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960, współczesna, romantyzm
Obszar (język): hiszpański, hiszpański (Argentyna), włoski
Instrumenty: wiolonczela, fortepian
Rodzaj: suita, tango
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Ginastera / Falla / Granados: La Furia
Challenge Classics - CC 72690
Kompozytor
Alberto Ginastera (1916-1983)
Manuel de Falla (1876-1946)
Enrique Granados (1867-1916)
Ástor Piazzolla, Carlos Guastavino, Gaspar Cassadó, Joaquín Nin, Antón García Abril
Alberto Ginastera (1916-1983)
Manuel de Falla (1876-1946)
Enrique Granados (1867-1916)
Ástor Piazzolla, Carlos Guastavino, Gaspar Cassadó, Joaquín Nin, Antón García Abril
Wykonawcy
Mayke Rademakers, cello
Matthijs Verschoor, piano
Mayke Rademakers, cello
Matthijs Verschoor, piano
Utwory na płycie:
- Danza Espanola no. 5 - Andaluza
- Suite Popular Espanola - El pano moruno
- Suite Popular Espanola - Asturiana
- Suite Popular Espanola - Jota
- Suite Popular Espanola - Nana
- Suite Popular Espanola - Cancion
- Suite Popular Espanola - Polo
- No por amor, no por tristeza
- Suite for Cello Solo - Preludio-Fantasia
- Suite for Cello Solo - Sardana (Danza)
- Suite for Cello Solo - Intermezzo e Danza Finale
- La Rosa y el Sauce
- Seguida Espanola - Vieja Castilla
- Seguida Espanola - Murciana
- Seguida Espanola - Asturiana
- Seguida Espanola - Andaluza
- Le Grand Tango
- Triste
Enrique Granados:
Danza Espanola No. 5
Manuel de Falla:
Suite Popular Espanola
Anton Garcia Abril:
No por Amor, no por Tristeza
Gaspar Cassado:
Suite for Cello Solo
Carol Gustavino:
La Rosa y el Sauce
Joaquin Nin:
Seguida Espanola
Astor Piazzo
Danza Espanola No. 5
Manuel de Falla:
Suite Popular Espanola
Anton Garcia Abril:
No por Amor, no por Tristeza
Gaspar Cassado:
Suite for Cello Solo
Carol Gustavino:
La Rosa y el Sauce
Joaquin Nin:
Seguida Espanola
Astor Piazzo
Mayke Rademakers: All my life, I’ve played a lot of Spanish music, and so has my partner and duo-pianist Matthijs Verschoor. Both of us have worked and studied in Spain. And I spent some time immersing myself in Buenos Aires, because I wanted to see the tango with my own eyes: how people perceived it, how they danced it in the streets and on public squares. At a certain point we got this sense of wanting to do something with it. We had a number of works on our repertoire and so we investigated how we could combine them with new pieces, music we still needed to discover, to produce a great CD. We found the music we were looking for. We put together an exciting combination of Spanish and South American music. In a nutshell: flamenco and tango.
Spanish music takes folk music as its starting point. La Furia is based on that idea. This music is about the heat, the poverty, about lifestyle and passion. La furia literally means anger or aggression. But in Latin, the word has very positive connotations. It means doing what your instincts tell you, acting with passion, giving it your all. The tango flamenco spread from Spain to South America. The tango is truly South American. Although it does show some flamenco influences, the tango definitely found its own form. Perhaps the biggest difference is that the tango is ‘urban’, because it arose in Buenos Aires. The flamenco is ‘rustic’, because it arose in the countryside.
Spanish music takes folk music as its starting point. La Furia is based on that idea. This music is about the heat, the poverty, about lifestyle and passion. La furia literally means anger or aggression. But in Latin, the word has very positive connotations. It means doing what your instincts tell you, acting with passion, giving it your all. The tango flamenco spread from Spain to South America. The tango is truly South American. Although it does show some flamenco influences, the tango definitely found its own form. Perhaps the biggest difference is that the tango is ‘urban’, because it arose in Buenos Aires. The flamenco is ‘rustic’, because it arose in the countryside.