koszyk0 sztuk  
user Zaloguj
Back cover pokaż tył okładki

Wydawnictwo: Hyperion
Nr katalogowy: CDA 68210
Nośnik: 1 CD
Data wydania: listopad 2017
EAN: 34571282107
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: renesans
Obszar (język): włoski
Instrumenty: kornet, organy
Rodzaj: msza

Palestrina: Missa Confitebor tibi Domine

Hyperion - CDA 68210
Bruce Dickey, cornetto
Liuwe Tamminga, organ
Yale Schola Cantorum / David Hill
Nagrody i rekomendacje
Music Island Recommends
Confitebor tibi Domine
Ricercar del sesto tuono (organ solo)
Missa Confitebor tibi Domine
Introduxit me rex in cellam
Ricercar del quinto tuono
Benedicta sit sancta Trinitas
Loquebantur variis linguis
Magnificat primi toni a 8
A journey from twenty-first-century Connecticut to late sixteenth-century Rome: Yale Schola Cantorum presents a programme of quasi-Baroque richness in which Palestrina’s a cappella Mass is imaginatively interpersed with instrumental interludes for cornett and organ.

Taking his surname from the town of Palestrina where he was probably born in 1525, Giovanni Pierluigi trained as a choirboy at St Mary Major in Rome. After a period as organist in Palestrina he was appointed magister cantorum at St Peter’s in 1551. Four years later he spent a short time as a member of the papal choir before Pope Paul IV enforced a rule excluding married men and dismissed Palestrina and two other singers, though with a lifetime pension. He subsequently took charge of the music at St John Lateran and, after a disagreement with the canons there, moved to St Mary Major in 1561. Between 1567 and 1571 he divided his time between the newly opened Roman Seminary and service to Cardinal Ippolito II d’Este. Then, in 1571, he returned to St Peter’s as maestro, remaining there until his death in 1594. In 1572, shortly after that return, Palestrina published his Motettorum liber secundus, 5, 6, 8vv, which included four pieces for eight voices, one of which was Confitebor tibi Domine. The range of musical styles in the print reflected both his varied employments and the changes which resulted from discussions about the appropriateness of contemporary church music at the time of the Council of Trent (which had concluded in 1563). These changes gave greater prominence to the words and their intelligibility to the listener.

Recorded in Christ Church, New Haven, Connecticut, on 10, 12, 14-15 November 2014. Instrumental tracks recorded in the Basilica of San Martino, Bologna, on 23 March 2015

Zobacz także:

  • COR 16155
  • SONA 1311
  • COR 16105
  • WH 0088
  • SIGCD 492
  • CDA 68134
  • 0015008KAI
  • GEN 17465
  • BR 100413
  • ARS 38540