Utwory na płycie:

• String Quartet in G major, Op. 77 No. 1 - Allegro moderato
• String Quartet in G major, Op. 77 No. 1 - Adagio
• String Quartet in G major, Op. 77 No. 1 - Menuetto: Presto – Trio
• String Quartet in G major, Op. 77 No. 1 - Finale: Presto
• String Quartet in F major, Op. 77 No. 2 - Allegro moderato
• String Quartet in F major, Op. 77 No. 2 - Menuetto: Presto ma non troppo – Trio
• String Quartet in F major, Op. 77 No. 2 - Andante
• String Quartet in F major, Op. 77 No. 2 - Finale: Vivace assai
• String Quartet in D minor, Op. 42 - Andante ed innocentemente
• String Quartet in D minor, Op. 42 - Menuetto: Allegretto – Trio
• String Quartet in D minor, Op. 42 - Adagio e cantabile
• String Quartet in D minor, Op. 42 - Finale: Presto
• The Seven Last Words of our Saviour on the Cross, Op. 51 - L'introduzione: Maestoso ed adagio
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata I: Largo 'Pater, dimitte illis, quia nesciunt, quid faciunt'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata II: Grave e cantabile 'Hodie mecum eris in paradiso'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata III: Grave 'Mulier, ecce filius tuus'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata IV: Largo 'Deus meus, Deus meus, utquid dereliquisti me?'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata V: Adagio 'Sitio'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata VI: Lento 'Consummatum est'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Sonata VII: Largo 'In manus tuas, Domine, commendo spiritum meum'
• The Seven Last Words of our Saviour on the Cross, Op. 51 - Il Terremoto: Presto e con tutta la forza

String Quartet in G major Op 77 No. 1
String Quartet in F major Op 77 No. 2
String Quartet in D minor Op. 42
The Seven Last Words of our Saviour on the Cross Op. 51

Haydn’s ‘Seven Last Words’ heard here in the composer’s own arrangement for string quartet is simply sublime, and a fitting testimonial to the composer’s deep, enduring faith. It provides an apt and generous coupling for the two magnificent Op 77 quartets, Haydn’s final complete contribution to the string quartet genre.