Utwory na płycie:

• Titelnummer 1
• Ghaetta [Istanpitta, Italy, 14th Century] (Arr. A. Haaf For Chamber Ensemble)
• Ben Pode Santa Maria [Cantiga De Santa Maria, Spain, 13th Century] (Arr. A. Haaf For Voice And Chamber Ensemble)
• Quen Boa Dona Querra [Cantiga De Santa Maria, Spain, 13th Century] (Arr. A. Haaf For Voice And Chamber Ensemble)
• B'tayhi-M'saddar (Arr. A. Haaf For Chamber Ensemble)
• Como Poden Per Sas Culpas [Cantiga De Santa Maria, Spain, 13th Century] (Arr. A. Haaf For Voice And Chamber Ensemble)
• Ostinato I (Arr. A. Haaf For Chamber Ensemble)
• Passacalli Della Vita [Italy, 15th Century] (Arr. A. Haaf For Voice And Chamber Ensemble)
• Si Dolce E'l Tormento, SV 332 (Arr. A. Haaf For Voice And Chamber Ensemble)
• DJamila (Arr. A. Haaf For Chamber Ensemble)
• Ay! Linda Amiga [Spain, 16th Centrury] (Arr. A. Haaf For Voice And Chamber Ensemble)
• Por Que Llorax Blanca Nina (Arr. A. Haaf For Voice And Chamber Ensemble)
• Cuando El Rey Nimrod (Arr. A. Haaf For Voice And Chamber Ensemble)

Tres Morillas
Ghaetta
Ben póde Santa María
Quen boa dona querrá
B’tayhi-M’saddar
Como poden per sas culpas
Ostinato I
Passacalli della vita
Si dolce e’l tormento
Djamila
Ay! linda amiga
Por que llorax blanca nina
Cuando el Rey Nimrod

"Oriental touch - early music meets oriental jazz" is the exciting result of a sound experiment that the ensemble FizFüz entered into with the Freiburger Spielleyt: here, an ensemble that has been successfully dealing with the music of the minstrels in the Middle Ages and Renaissance for almost a quarter of a century meets a renowned jazz ensemble that has its roots in the traditions of Turkish music and klezmer. But it is not only an encounter with music from the most diverse cultures and around 1000 years of music history, it is also an encounter of musical personalities with the most diverse cultural roots, who engage with each other here with hearts and open ears.

They look for points of contact and find them in the musical tradition of early Spain, where Occident and Orient were still close to each other. But they also search for the different and dare to interpret Monteverdi's popular song "Si dolce e'l tormento", traditional Arabic or Sephardic melodies together. The result is a rousing mixture of many influences and imprints that come together to form a harmonious whole with a lot of fire and esprit - music that goes to the heart, to the ear and to the legs!

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Recorded live at Martinskirche Müllheim (Germany) on 13 & 14 March 2013.