• Domine ad adiuvandum, motet for 6 voices (from Vespers), SV 206/1
• Dixit Dominus (I), motet for 8 voices (from Messa a quatro voci, et Salmi), SV 191
• Nigra sum sed formosa, antiphon for tenor (from Vespers), SV 206/3
• Laudate, pueri, Dominum, motet for 8 voices & organ (from Vespers), SV 206/4
• Pulchra es, amica mea, motet for 2 sopranos (from Vespers), SV 206/5
• Laetatus sum, motet for 6 voices (from Vespers), SV 206/6
• Duo Seraphim clamabant, motet for 3 tenors (from Vespers), SV 206/7
• Nisi Dominus aedificaverit domum, for 10 voices (from Vespers), SV 206/8
• Audi, coelum, verba mea, motet for 7 voices (from Vespro della Beata Vergine), SV 206/9
• Lauda, Jerusalem, Dominum (II), motet for 5 voices (from Messa a quatro voci, et Salmi), SV 203
• Sonata sopra 'Sancta Maria ora pro nobis', for soprano, 3 horns, 2 trombones, 2 violins & cello (from Vespers), SV 206/11
• Ave maris stella, for soprano, tenor & chorus (from Vespro della Beata Vergine), SV 206/12
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Magnificat
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Et exultavit
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Quia respexit
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Quia fecit mihi magna
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Et misericordia
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Fecit potentiam
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Deposuit potentes
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Esurientes
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Suscepit Israel
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Sicut locutus est
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Gloria Patri
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Sicut erat
• Magnificat II, for 6 voices and organ (from Vespers), SV 206a: Lauda Ierusalem
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Magnificat
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Et exultavit
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Quia respexit
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Quia fecit mihi magna
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Et misericordia
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Fecit potentiam
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Deposuit potentes
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Esurientes
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Suscepit Israel
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Sicut locutus est
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Gloria Patri
• Magnificat I, for 7 voices, 9 winds, 2 violins & cembalo (from Vespers), SV 206/13: Sicut erat

Claudio Monteverdi (1567-1643) z pewnością swymi śmiałymi dokonaniami wstrząsnął muzyką na początku XVII wieku rozpoczynając tym samym epokę baroku w muzyce. Jego Nieszpory niezaprzeczalnie są jednym z najważniejszych cyklów muzyki sakralnej, jakie do tej pory skomponowano. W tym dziele odnajdujemy wszystkie możliwe techniki i style, jakie wówczas w muzyce, w 1610 roku, były obecne. Od wielkich chórów po subtelny śpiew solowy lub recytatyw, z koncertującymi bądź ascetycznymi fragmentami. Tym razem możemy podziwiać je w wykonaniu jakże zasłużonych muzyków - The Sixteen pod dyrekcją oczywiście Harry’ego Chritophersa. Trudno zaskoczyć tych, którzy śledzą z uwagą kolejne interpretacje Nieszporów Monteverdiego. Tym razem nie intryguje, nie zaskakuje, ale błyszczy jak zawsze perfekcją wykonania.
Alina Mądry - Audio Video 02-2015