Wydawnictwo: Delphian
Nr katalogowy: DCD 34229
Nośnik: 1 CD
Data wydania: sierpień 2019
EAN: 801918342295
Nr katalogowy: DCD 34229
Nośnik: 1 CD
Data wydania: sierpień 2019
EAN: 801918342295
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna, 20 wiek do 1960
Obszar (język): angielski (USA), angielski
Instrumenty: fortepian
Rodzaj: pieśń
Epoka muzyczna: współczesna, 20 wiek do 1960
Obszar (język): angielski (USA), angielski
Instrumenty: fortepian
Rodzaj: pieśń
Copland / Argento / Barber: I and Silence - Women’s Voices in American Song
Delphian - DCD 34229
Kompozytor
Aaron Copland (1900-1990)
Dominick Argento (ur. 1927)
Samuel Barber (1910-1981)
Peter Lieberson, George Crumb
Aaron Copland (1900-1990)
Dominick Argento (ur. 1927)
Samuel Barber (1910-1981)
Peter Lieberson, George Crumb
Wykonawcy
Marta Fontanals-Simmons, mezzo-soprano
Lana Bode, piano
Marta Fontanals-Simmons, mezzo-soprano
Lana Bode, piano
Utwory na płycie:
Aaron Copland:
Twelve Poems of Emily Dickinson:
Why do they shut me out of Heaven?
The world feels dusty
I felt a funeral in my brain
Dominick Argento:
Diary of Virginia Woolf:
The Diary (April 1919)
Anxiety (October 1920)
Fancy (February 1927)
Hardy’s Funeral (January 1928)
Rome (May 1935)
War (June 1940)
Parents (December 1940)
Last Entry (March 1941)
Samuel Barber:
Four Songs, Op. 13 - Nocturne
Peter Lieberson:
Rilke Songs
George Crumb:
Three Early Songs - Let it be forgotten
Twelve Poems of Emily Dickinson:
Why do they shut me out of Heaven?
The world feels dusty
I felt a funeral in my brain
Dominick Argento:
Diary of Virginia Woolf:
The Diary (April 1919)
Anxiety (October 1920)
Fancy (February 1927)
Hardy’s Funeral (January 1928)
Rome (May 1935)
War (June 1940)
Parents (December 1940)
Last Entry (March 1941)
Samuel Barber:
Four Songs, Op. 13 - Nocturne
Peter Lieberson:
Rilke Songs
George Crumb:
Three Early Songs - Let it be forgotten
‘Did I sing too loud?’ asked Emily Dickinson in 1861, in a poem set a century later by Aaron Copland.
The expectations of silence often placed on women, historically and politically, and music’s power to break through them, are the themes of this deeply personal recital by mezzo-soprano Marta Fontanals- Simmons and pianist Lana Bode.
Their programme reflects and channels the voices of female writers and musicians: Dickinson herself, Sara Teasdale and Virginia Woolf are among those whose words are set in the works brought together here, two of which – Dominick Argento’s From the Diary of Virginia Woolf and Peter Lieberson’s Rilke Songs – were written for great mezzosopranos of the recent past, Dame Janet Baker and Lorraine Hunt Lieberson.
Recorded on 26-29 January 2017 in the Britten Studio, Snape Maltings. Piano: Steinway D grand, serial no 579072.
The expectations of silence often placed on women, historically and politically, and music’s power to break through them, are the themes of this deeply personal recital by mezzo-soprano Marta Fontanals- Simmons and pianist Lana Bode.
Their programme reflects and channels the voices of female writers and musicians: Dickinson herself, Sara Teasdale and Virginia Woolf are among those whose words are set in the works brought together here, two of which – Dominick Argento’s From the Diary of Virginia Woolf and Peter Lieberson’s Rilke Songs – were written for great mezzosopranos of the recent past, Dame Janet Baker and Lorraine Hunt Lieberson.
Recorded on 26-29 January 2017 in the Britten Studio, Snape Maltings. Piano: Steinway D grand, serial no 579072.