Wydawnictwo: Passacaille
Nr katalogowy: PAS 1026
Nośnik: 1 CD
Data wydania: maj 2017
EAN: 5425004160263
Nr katalogowy: PAS 1026
Nośnik: 1 CD
Data wydania: maj 2017
EAN: 5425004160263
Nasze kategorie wyszukiwania
Epoka muzyczna: barok
Obszar (język): włoski
Instrumenty: wiolonczela
Rodzaj: sonata
Epoka muzyczna: barok
Obszar (język): włoski
Instrumenty: wiolonczela
Rodzaj: sonata
Fiore: Complete Cello Sonatas
Passacaille - PAS 1026
Kompozytor
Angelo Maria Fiore (1660-1723)
Angelo Maria Fiore (1660-1723)
Wykonawcy
Suzie Leblanc, soprano
Elinor Frey, baroque cello
Lorenzo Ghielmi, harpsichord
Esteban La Rotta, theorbo
Suzie Leblanc, soprano
Elinor Frey, baroque cello
Lorenzo Ghielmi, harpsichord
Esteban La Rotta, theorbo
Utwory na płycie:
Trattenimento da camera op. 1 Nr. 11-14
Sinfonia für Cello & Cembalo C-Dur
Sinfonia für Cello & Bc B-Dur
Anonymus (Angelo Maria Fiore):
Cellosonate A-Dur
Ziani:
Chi serve al dio d'amor
Monza:
Allemande-Double c-moll
Allemande D-Dur
Anonymus:
Amo il regno et amo il figlio
Magni:
E caro il tormento soave il dolor
Ballarotti:
Stelle avverse in cielo armatevi
Pollarolo:
Per godervi o labra amate
Sabadini:
Amar e non mirar
Sinfonia für Cello & Cembalo C-Dur
Sinfonia für Cello & Bc B-Dur
Anonymus (Angelo Maria Fiore):
Cellosonate A-Dur
Ziani:
Chi serve al dio d'amor
Monza:
Allemande-Double c-moll
Allemande D-Dur
Anonymus:
Amo il regno et amo il figlio
Magni:
E caro il tormento soave il dolor
Ballarotti:
Stelle avverse in cielo armatevi
Pollarolo:
Per godervi o labra amate
Sabadini:
Amar e non mirar
Angelo Maria Fiore (1660-1723) worked in Parma and Turin, where he was one of the first to compose works for the violoncello.
The recording with baroque cellist Elinor Frey presents not only his brilliant and lyrical sonatas, but also operas for soprano and cello works by contemporaries who use the expressive possibilities of the instrument.
The recording with baroque cellist Elinor Frey presents not only his brilliant and lyrical sonatas, but also operas for soprano and cello works by contemporaries who use the expressive possibilities of the instrument.