Utwory na płycie:

• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for Violin & Continuo i
• Sonata for Violin & Continuo i
• Sonata for Violin & Continuo i
• Sonata for Violin & Continuo i
• Sonata for Cello & Continuo in
• Sonata for Cello & Continuo in
• Sonata for Cello & Continuo in
• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for Recorder, 2 Violins
• Sonata for 2 Violins & Continu
• Sonata for 2 Violins & Continu
• Sonata for 2 Violins & Continu
• Sonata for 2 Violins & Continu
• Sonata for Violin & Continuo i
• Sonata for Violin & Continuo i
• Sonata for Violin & Continuo i
• Sonata for Violin & Continuo i
• Concerto for Recorder, 2 Violi
• Concerto for Recorder, 2 Violi
• Concerto for Recorder, 2 Violi
• Sonata for Recorder, 2 Violins & Continuo in C: I. Moderato
• Sonata for Recorder, 2 Violins & Continuo in C: II. Fuga
• Sonata for Recorder, 2 Violins & Continuo in C: III. Largo
• Sonata for Recorder, 2 Violins & Continuo in C: IV. Andante
• Sonata for Recorder, 2 Violins & Continuo in C: V. Andante - Adagio
• Sonata for Violin & Continuo in G, Op. 4, No. 11: I. Largo
• Sonata for Violin & Continuo in G, Op. 4, No. 11: II. Presto e spiccato
• Sonata for Violin & Continuo in G, Op. 4, No. 11: III. Passagaglio un poco vivace
• Sonata for Violin & Continuo in G, Op. 4, No. 11: IV. Giga: Allegro assai
• Sonata for Cello & Continuo in A: I. Largo
• Sonata for Cello & Continuo in A: II. Allegro
• Sonata for Cello & Continuo in A: III. Allegro assai
• Sonata for Recorder, 2 Violins & Continuo in G: I. Largo
• Sonata for Recorder, 2 Violins & Continuo in G: II. Fuga
• Sonata for Recorder, 2 Violins & Continuo in G: III. Largo
• Sonata for Recorder, 2 Violins & Continuo in G: IV. Spiritoso
• Sonata for 2 Violins & Continuo in B: I. Largo
• Sonata for 2 Violins & Continuo in B: II. Presto
• Sonata for 2 Violins & Continuo in B: III. Adagio
• Sonata for 2 Violins & Continuo in B: IV. Presto
• Sonata for Violin & Continuo in E, Op 1, No. 5, B.E6: I. Largo
• Sonata for Violin & Continuo in E, Op 1, No. 5, B.E6: II. Allegro
• Sonata for Violin & Continuo in E, Op 1, No. 5, B.E6: III Adagio
• Sonata for Violin & Continuo in E, Op 1, No. 5, B.E6: IV. Allegro assai
• Concerto for Recorder, 2 Violins & Continuo in A, RV. 108: I. Allegro
• Concerto for Recorder, 2 Violins & Continuo in A, RV. 108: II. Largo
• Concerto for Recorder, 2 Violins & Continuo in A, RV. 108: III. Allegro

Alessandro Scarlatti:
Sonata for recorder, 2 violins & continuo in c (Kingdom of Naples)

Evaristo Felice Dall’Abaco:
Sonata for violin & continuo in g, Op 4.12 (Republic of Venice)

Antonio Vandini:
Sonata for cello & continuo in a (Republic of Venice)

Francesco Mancini:
Sonata for recorder, 2 violins & continuo in g (Kingdom of Naples)

Giuseppe Antonio Brescianello:
Sonata for 2 violins & continuo in b (The Papal States - Bologna)

Giuseppe Tartini:
Sonata for violin & continuo in e, Op 1.5, Be6 (Republic of Venice)

Antonio Vivaldi:
Concerto for recorder, 2 violins & continuo in a, RV 108 (Republic of Venice)

Tytuł płyty to nic innego jak styl sztuki, muzyki i architektury, celebrowany we Włoszech na początku XVIII wieku. Układ odpowiada poszczególnym regionom Włoch, gdzie tworzyli wybrani do nagrań kompozytorzy. Królestwo Neapolu reprezentuje Scarlatti i Mancini; Re-publikę Wenecką Dall’Abaco, Vandini, Tartini i Vivaldi, a Państwo Kościelne i Bolonię - Bre-scianello. Gatunkiem preferowanym stała się sonata, w większości triowa, z koncertującymi skrzypcami (Adrian Chandler) lub fletami prostymi (Tabea Debus). A zatem włoskie barowe sonaty w wykonaniu przodującego zespołu muzyki dawnej, z doskonałymi koncertmistrzami. A wszystkimi przewodzi Adrian Chandler. Muzyczne i merytoryczne oparcie w źródłowych przekazach wybranych dzieł. Żywioł muzyki włoskiego baroku w doskonałym wydaniu. Pod każdym względem!

---

‘Settecento’ is the style of art, music and architecture that emerged in Italy in the early 18th century, celebrated here by La Serenissima and Adrian Chandler with a collection of works from that era.

The works are grouped by the areas of Italy where each composer worked, including the Kingdom of Naples (Scarlatti, Mancini), Republic of Venice (Dall’Abaco, Vandini, Tartini & Vivaldi) and the Papal States / Bologna (Brescianello).

The ensemble La Serenissima is recognised as the UK’s leading exponent of the music of 18th-century Venice and connected composers. Uniquely, the group’s entire repertoire is edited from manuscript or contemporary sources. It has become synonymous with virtuosity, dynamism and accessibility, uncovering new repertoire and making it available to all through live performance, recordings and educational initiatives.

---

Recorded at Cedars Hall, Somerset, UK, 16-18.02.2020. Instruments: Violin by Rowland Ross, UK, 1981, after Amati; Alto recorder in f’ by Küng, voicing by E. Meyer, Switzerland, 2014, K4/Bressan-model; Alto recorder in f’, France, 2012, after Jacob Denner.