Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72737
Nośnik: 1 SACD
Data wydania: listopad 2016
EAN: 608917273724
Nr katalogowy: CC 72737
Nośnik: 1 SACD
Data wydania: listopad 2016
EAN: 608917273724
Purcell / Eccles / Finger: Dido and Aeneas
Challenge Classics - CC 72737
Utwory na płycie:
- Dido and Aeneas - Wayward sisters
- Dido and Aeneas - In our deep vaulted cell
- Dido and Aeneas - Echo dance of furies
- Dido and Aeneas - The Grove
- Dido and Aeneas - Thanks to these Lonesome
- Dido and Aeneas - Oft she visits
- Dido and Aeneas - Behold upon my bending
- Dido and Aeneas - Stay prince and hear
- Dido and Aeneas - The ships
- Dido and Aeneas - The sailors dance
- Dido and Aeneas - Overture
- Dido and Aeneas - Our next motion
- Dido and Aeneas - Destruction's our delight
- Dido and Aeneas - The witches dance
- Dido and Aeneas - Your counsel all is urg'd
- Dido and Aeneas - Great minds
- Dido and Aeneas - When I am laid in earth
- Dido and Aeneas - With drooping wings
- The Love of Mars and Venus - Symphony
- The Love of Mars and Venus - Come all, come all
- The Love of Mars and Venus - Chorus. Come all, come all
- Dido and Aeneas - Shake the cloud
- The Love of Mars and Venus - Love alone
- The Love of Mars and Venus - Love like war
- The Love of Mars and Venus - Scorn tho beauty
- The Love of Mars and Venus - To double the sports
- The Love of Mars and Venus - To treble the pleasures
- The Love of Mars and Venus - Let scenes of mirth
- Dido and Aeneas - Ah! Belinda, I am prest
- Dido and Aeneas - Whence could so much
- Dido and Aeneas - Fear no danger
- Dido and Aeneas - See, see
- Dido and Aeneas - If not for mine
- Dido and Aeneas - To the hills and the vales
- Dido and Aeneas - The triumphing dance
- Dido and Aeneas - Overture
- Dido and Aeneas - Shake the cloud
- Dido and Aeneas - Ah! Belinda, I am prest
- Dido and Aeneas - Whence could so much
- Dido and Aeneas - Fear no danger
- Dido and Aeneas - See, see
- Dido and Aeneas - If not for mine
- Dido and Aeneas - To the hills and the vales
- Dido and Aeneas - The triumphing dance
- Dido and Aeneas - Wayward sisters
- Dido and Aeneas - In our deep vaulted cell
- Dido and Aeneas - Echo dance of furies
- Dido and Aeneas - The Grove
- Dido and Aeneas - Thanks to these Lonesome
- Dido and Aeneas - Oft she visits
- Dido and Aeneas - Behold upon my bending
- Dido and Aeneas - Stay prince and hear
- Dido and Aeneas - The ships
- Dido and Aeneas - The sailors dance
- Dido and Aeneas - Our next motion
- Dido and Aeneas - Destruction's our delight
- Dido and Aeneas - The witches dance
- Dido and Aeneas - Your counsel all is urg'd
- Dido and Aeneas - Great minds
- Dido and Aeneas - When I am laid in earth
- Dido and Aeneas - With drooping wings
- The Love of Mars and Venus - Symphony
- The Love of Mars and Venus - Come all, come all
- The Love of Mars and Venus - Chorus. Come all, come all
- The Love of Mars and Venus - Love alone
- The Love of Mars and Venus - Love like war
- The Love of Mars and Venus - Scorn tho beauty
- The Love of Mars and Venus - To double the sports
- The Love of Mars and Venus - To treble the pleasures
- The Love of Mars and Venus - Let scenes of mirth
Dido and Aeneas:
Overture
Act I
Act II
Act III
The Love of Mars and Venus
Overture
Act I
Act II
Act III
The Love of Mars and Venus
Fabio Bonizzoni: The charm of this opera is in that it contains everything, like Cervantes’ Don Quixote: any life experience is within it. Love, hate, death, dream, despair, the innocent and the wicked play.
Purcell’s awareness in portraying such opposite feelings is amazing as well as the room that he leaves to the conductor. So, here is why a new “Dido”: as an artist, as an artist in love with this opera, I want to deliver my reading; better: I want to translate Purcell’s “sign” my own way, how much this opera is alive, lively, modern, contemporary. How Purcell’s genius was able to convey Dido’s despair and Aeneas’ cowardice and how much Purcell himself had fun in depicting the plot.
And the choir! Probably it is really the main character of the opera, the sounding board for the most extreme feelings. The relatively scant material is what allows the conductor’s imagination to take flight, to get touched, to devise how feelings can be described in music. Such ‘creative’ experience, to wake up the audience from the ruling emotional and intellectual numbness is what gives meaning to our job. “Dido” teaches there’s no need of special effects: life itself is a special effect, is a wonderful journey made of tragedy and joy, love and hate.
Purcell’s awareness in portraying such opposite feelings is amazing as well as the room that he leaves to the conductor. So, here is why a new “Dido”: as an artist, as an artist in love with this opera, I want to deliver my reading; better: I want to translate Purcell’s “sign” my own way, how much this opera is alive, lively, modern, contemporary. How Purcell’s genius was able to convey Dido’s despair and Aeneas’ cowardice and how much Purcell himself had fun in depicting the plot.
And the choir! Probably it is really the main character of the opera, the sounding board for the most extreme feelings. The relatively scant material is what allows the conductor’s imagination to take flight, to get touched, to devise how feelings can be described in music. Such ‘creative’ experience, to wake up the audience from the ruling emotional and intellectual numbness is what gives meaning to our job. “Dido” teaches there’s no need of special effects: life itself is a special effect, is a wonderful journey made of tragedy and joy, love and hate.