De vulgari eloquentia
Icaros
A guisa di un arcier presto soriano
Rondo di forza
Rousseau, le Douanier:
“Follia d’Orlando”
“Oh, mia Euridice…” a fragment
Prélude a l’apres-midi d’un fauve
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In this anthology, which is a portrait of his compositional tendencies, Claudio Ambrosini is actually one of the most daring creators of utopian virtuosity; a virtuosity which is grounded in the invention of multi-formal, luminous, permutable, nocturnal sound, giving prerogative to an exasperation of extremes and matured in the workshop of the Ex Novo Ensemble, a permanently active workshop of constantly renewed research.

It is also a dream of a liminal avantgarde that favors torrential energy but at times opens up into a voluble undercurrent of song: a furtive shadow of Maderna appears.

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Recordings: Teatro Accademico, 15 July 1999 (Tr. 1-3, 5-7); Il suono ritrovato, Teatro Goldoni (Live), 28 September 1988 (Tr. 4); Festival Anima Mundi, Chiesa di Santa Maria del Giglio (Live), 1 November 1997 (Tr. 8).