
Wydawnictwo: Aeolus
Nr katalogowy: AE 11111
Nośnik: 1 SACD
Data wydania: sierpień 2015
EAN: 4026798111113
Nr katalogowy: AE 11111
Nośnik: 1 SACD
Data wydania: sierpień 2015
EAN: 4026798111113
Beethoven: Organ Perspectives
Aeolus - AE 11111
Kompozytor
Ludwig van Beethoven (1770-1827)
Ludwig van Beethoven (1770-1827)
Wykonawcy
Maria-Magdalena Kaczor, organ
Maria-Magdalena Kaczor, organ
Utwory na płycie:
Allegro non più molto WoO 33, 4
Adagio in F WoO33, 1
Allegretto WoO 33, 5
Scherzo inG-DurWoO33 (1799)
Allegro WoO33, 3
Rondo in C-Dur WoO 48
Grenadiersmarsch F-Dur Hess 107
Praeludium durch alle Tonarten op.39 Nr.1
Bagatelle op.33 Nr.1
Bagatelle Nr.1 c-Moll
BagatelleA-Dur op.33, 4 (1802)
Bagatelle op.33 Nr.6
Allegretto C-Dur WoO 56
Bagatelle Nr.5 C-Dur
Praeludium f-Moll WoO 55
Fuge C-Dur Hess 64
Praeludium durch alle Tonarten op.39 Nr.2
Trio Nr.1 g-Moll
Trio Nr.2 es-Moll
Trio Nr.3 e-Moll
Fuge in e-Moll
Fuge in D WoO 31
1. Allegro non piumolto inC-DurWoO33 (1794?) 6:21
2. Adagio in F-DurWoO 33 (1799) 5:46
3. AllegrettoWoO33 (1794?) 3:18
4. Scherzo inG-DurWoO33 (1799) 2:15
5. Allegro inG-DurWoO33 (1799?) 2:30
6. Rondo inC-DurWoO48 (1783) 2:31
7. Grenadiersmarsch in F-DurHess 107 (1803) 4:21
8. Präludiumdurch alleDur-Tonarten op.39, 1, Hess 310 (1789) 6:31
9. Bagatelle Es-Dur op.33, 1 (1802) 5:10
10. Bagatelle c-MollWoO52 (1797) 5:24
11. BagatelleA-Dur op.33, 4 (1802) 2:39
12. Bagatelle D-Dur op.33, 6 (1802) 3:44
13. Allegretto inC-DurWoO56 (1797) 1:32
14. BagatelleC-Dur op.33, 5 (1802) 3:24
15. Präludiumf-MollWoO 55 (1803) 3:32
16. FugeC-Dur Hess 64 (1795) 2:20
17. Präludiumdurch alleDur-Tonarten op.39, 2 (1789) 4:53
18. TrioNr.1 g-Moll (Carl Philipp Emanuel Bach, 1742) 2:42
19. TrioNr.2 es-Moll (Carl Philipp Emanuel Bach, 1743) 4:16
20. TrioNr.3 e-MollHess 29 (1793) 2:54
21. Fuge e-Moll Hess 29 (1793) 4:06
22. Fugaa3D-DurWoO31 (1793) 1:37
2. Adagio in F-DurWoO 33 (1799) 5:46
3. AllegrettoWoO33 (1794?) 3:18
4. Scherzo inG-DurWoO33 (1799) 2:15
5. Allegro inG-DurWoO33 (1799?) 2:30
6. Rondo inC-DurWoO48 (1783) 2:31
7. Grenadiersmarsch in F-DurHess 107 (1803) 4:21
8. Präludiumdurch alleDur-Tonarten op.39, 1, Hess 310 (1789) 6:31
9. Bagatelle Es-Dur op.33, 1 (1802) 5:10
10. Bagatelle c-MollWoO52 (1797) 5:24
11. BagatelleA-Dur op.33, 4 (1802) 2:39
12. Bagatelle D-Dur op.33, 6 (1802) 3:44
13. Allegretto inC-DurWoO56 (1797) 1:32
14. BagatelleC-Dur op.33, 5 (1802) 3:24
15. Präludiumf-MollWoO 55 (1803) 3:32
16. FugeC-Dur Hess 64 (1795) 2:20
17. Präludiumdurch alleDur-Tonarten op.39, 2 (1789) 4:53
18. TrioNr.1 g-Moll (Carl Philipp Emanuel Bach, 1742) 2:42
19. TrioNr.2 es-Moll (Carl Philipp Emanuel Bach, 1743) 4:16
20. TrioNr.3 e-MollHess 29 (1793) 2:54
21. Fuge e-Moll Hess 29 (1793) 4:06
22. Fugaa3D-DurWoO31 (1793) 1:37
« Beethoven? But did he ever compose anything for the organ?» We do not know the exact answer to this question. Yet the theme of Beethoven’s relationship to the “King of Instruments” has time and again occupied, indeed fascinated musicologists, but above all organists. Why is this? Is it the hardly conceivable idea that the composer only wrote very little for the organ and above all – compared to his work overall – little of note? To supply proof that Beethoven bequeathed us compositions that – if indeed not expressly composed for organ – nonetheless may outstandingly be performed on the instrument of his youthful years for which he like many young people felt considerable fascination: such is the aim of the present recording…
Recording: Langensteinbach, Ludwigskirche, April 2015; Maria-MagdalenaKaczor plays the Johann Ferdinand Balthasar Stieffell organ (1786) Ludwigskirche, Langensteinbach (Germany)
Recording: Langensteinbach, Ludwigskirche, April 2015; Maria-MagdalenaKaczor plays the Johann Ferdinand Balthasar Stieffell organ (1786) Ludwigskirche, Langensteinbach (Germany)