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Wydawnictwo: Audite
Nr katalogowy: AUDITE 23442
Nośnik: 2 CD
Data wydania: maj 2019
EAN: 4022143234421
105,00zł
na zamówienie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): rosyjski
Instrumenty: wiolonczela, fortepian
Rodzaj: sonata

Prokofiev / Shostakovich / Czajkowski: Russian Legends

Audite - AUDITE 23442
Kompozytor
Sergei Prokofiev (1891-1953)
Dmitri Shostakovich (1906-1975)
Piotr Czajkowski (1840-1893)
Alexander Galzunov, Anton Arensky, Alexander Scriabin, Sergei Rachmaninov
Wykonawcy
Cheng2Duo:
Bryan Cheng, cello
Silvie Cheng, piano
Nagrody i rekomendacje
 
Pizzicato 5
 
CD 1:
Prokofiev:
Cinderella, Op. 87 - Adagio
Sonata for Cello and Piano in C Major, Op. 119

Glazunov:
Chant du ménestrel, Op. 71

Schostakovich:
Sonata for Cello and Piano in D Minor, Op. 40

CD 2:
Tchaikovsky:
Pezzo capriccioso in B Minor, Op. 62

Arensky:
Two Pieces for Cello and Piano, Op. 12

Scriabin:
Romance for Cello and Piano

Rachmaninov:
Sonata for Cello and Piano in G Minor, Op. 19
14 Romances, Op. 34/14
?After forays to Spain and France, the Cheng2 Duo ventures to Russia for their third audite album.

The Süddeutsche Zeitung described Bryan and Silvie Cheng's last CD, dedicated to Spanish music, as an "event of austere and severe, but also dreamy beauty", and praised the siblings' interpretation for "finding the correct idiom which manages to raise the temperature". Their new double album centres on the three great sonatas for cello and piano by Dmitri Shostakovich, Sergei Rachmaninov and Sergei Prokofiev. The Cheng2 Duo contrasts these with a series of shorter pieces by Anton Arensky, Piotr Tchaikovsky and Alexander Glazunov. This comprehensive programme represents a short history of Russian cello music which began with the foundation of the great music conservatoires in Saint Petersburg and Moscow in the middle of the nineteenth century.

Cellist Bryan Cheng is hailed internationally for his "absolutely astonishing" (La Presse, Montréal) command of the cello, and "abundant facility, innate musicality, and sense of joy" (New York Concert Review). He made his solo debut at age 10 with the Orchestre de chambre I Musici de Montréal, his Carnegie Hall recital debut at 14, and most recently, his Elbphilharmonie solo debut with the Deutsche Kammerphilharmonie Bremen and conductor Joshua Weilerstein in 2018.

Lauded for her "extraordinarily varied palette" (WholeNote Magazine) and "purely magical" playing (New York Concert Review), pianist Silvie Cheng illuminates musical works with her exquisite touch at the keyboard. Since her Carnegie Hall solo debut in 2011, she has performed as both soloist and collaborative pianist across the globe. As guest soloist with orchestra, Silvie most recently made her debut with the New Amsterdam Symphony Orchestra in 2018 and will debut with Symphony Nova Scotia in the 2019-20 season.

Recording: Jesus-Christus-Kirche, Berlin-Dahlem, Oct. 30 - Nov 3, 2018. Instrument: cello - ca. 1696 Bonjour Stradivarius (Canada Council for the Arts); bow - ca. 1830 Shaw Adam bow; piano - Bösendorfer 280VC (Gerd Finkenstein)

Zobacz także:

  • ONYX 4191
  • B 108099
  • CC 72793
  • AUDITE 97759
  • SIGCD 2007
  • GEN 19660
  • ACD 22768
  • AUDITE 97758
  • PTC 5186791
  • AV 2410