Wydawnictwo: Audite
Nr katalogowy: AUDITE 97773
Nośnik: 1 CD
Data wydania: wrzesień 2020
EAN: 4022143977731
Nr katalogowy: AUDITE 97773
Nośnik: 1 CD
Data wydania: wrzesień 2020
EAN: 4022143977731
Nasze kategorie wyszukiwania
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Rodzaj: divertimento, preludia, fuga
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Rodzaj: divertimento, preludia, fuga
Mozart: Complete String Trios
Audite - AUDITE 97773
Kompozytor
Wolfgang Amadeus Mozart (1756-1791)
Wolfgang Amadeus Mozart (1756-1791)
Wykonawcy
Jacques Thibaud String Trio:
Burkhard Maiss, violin
Hannah Strijbos, viola
Bogdan Jianu, cello
Jacques Thibaud String Trio:
Burkhard Maiss, violin
Hannah Strijbos, viola
Bogdan Jianu, cello
Nagrody i rekomendacje
Utwory na płycie:
Divertimento in E-Flat Major, K. 563 - I. Allegro- Divertimento in E-Flat Major, K. 563 - II. Adagio
- Divertimento in E-Flat Major, K. 563 - III. Menuetto. Allegretto – Trio
- Divertimento in E-Flat Major, K. 563 - IV. Andante
- Divertimento in E-Flat Major, K. 563 - V. Menuetto. Allegretto – Trio I – Trio II
- Divertimento in E-Flat Major, K. 563 - VI. Allegro
- Preludes and Fugues, K. 404a - No. 1 in D Minor: Adagio
- Preludes and Fugues, K. 404a - No. 1 in D Minor: Fuga. Andante cantabile
- Preludes and Fugues, K. 404a - No. 2 in G Minor: Adagio
- Preludes and Fugues, K. 404a - No. 2 in G Minor: Fuga. Allegro
- Preludes and Fugues, K. 404a - No. 3 in F Major: Adagio
- Preludes and Fugues, K. 404a - No. 3 in F Major: Fuga. Vivace
- Preludes and Fugues, K. 404a - No. 4 in F Major: Adagio
- Preludes and Fugues, K. 404a - No. 4 in F Major: Fuga. Allegro
- Preludes and Fugues, K. 404a - No. 5 in E-Flat Major: Largo
- Preludes and Fugues, K. 404a - No. 5 in E-Flat Major: Fuga. Moderato
Divertimento in E-flat major, K. 563
Preludes and Fugues, K. 404a
Preludes and Fugues, K. 404a
?The complete Mozart works for string trio: his Divertimento, K. 563, chamber music of the highest order, features rich harmonies, elaborately crafted contrapuntal textures and great technical challenges. The Six Preludes and Fugues, K. 404a, are unique documents of Mozart’s study of JS Bach’s oeuvre, which was significantly to influence his later works.
The Preludes and Fugues are unique documents of Mozart’s study of Bach’s oeuvre. They contain three fugues from The Well-Tempered Clavier, one fugue each from The Art of Fugue and an organ sonata, as well as one fugue by Wilhelm Friedemann Bach. Four of the preludes are probably Mozart’s own, whilst two are from Bach’s trio sonatas for organ. Mozart produced his arrangements for private Sunday gatherings at the home of Baron van Swieten, where he would play the viola part. Mozart’s study of the “old masters” would prove an important influence on his later compositions.
The six-movement Divertimento, K. 563, of 1788 is considered as the string trio par excellence. It is chamber music of the highest order, with rich harmonies and elaborately crafted counterpoint. Here, Mozart makes greater technical demands on the performers than in his violin concertos or his Sinfonia concertante, K. 364, for violin, viola and orchestra. In his three-part writing, Mozart reaches astonishing depths, with double stops at times imitating the sound of a quartet. All three string instruments are treated completely equally, each in turn taking the lead; the viola and cello are given especially rewarding melodic lines. This magnificent work condenses the entire potential of string trio playing into a 50-minute late Mozartian experience.
Recording: Traumton Studio, Berlin, February 28 - March 2, 2020.
The Preludes and Fugues are unique documents of Mozart’s study of Bach’s oeuvre. They contain three fugues from The Well-Tempered Clavier, one fugue each from The Art of Fugue and an organ sonata, as well as one fugue by Wilhelm Friedemann Bach. Four of the preludes are probably Mozart’s own, whilst two are from Bach’s trio sonatas for organ. Mozart produced his arrangements for private Sunday gatherings at the home of Baron van Swieten, where he would play the viola part. Mozart’s study of the “old masters” would prove an important influence on his later compositions.
The six-movement Divertimento, K. 563, of 1788 is considered as the string trio par excellence. It is chamber music of the highest order, with rich harmonies and elaborately crafted counterpoint. Here, Mozart makes greater technical demands on the performers than in his violin concertos or his Sinfonia concertante, K. 364, for violin, viola and orchestra. In his three-part writing, Mozart reaches astonishing depths, with double stops at times imitating the sound of a quartet. All three string instruments are treated completely equally, each in turn taking the lead; the viola and cello are given especially rewarding melodic lines. This magnificent work condenses the entire potential of string trio playing into a 50-minute late Mozartian experience.
Recording: Traumton Studio, Berlin, February 28 - March 2, 2020.
Zobacz także:
