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Wydawnictwo: Avie
Nr katalogowy: AV 2513
Nośnik: 1 CD
Data wydania: czerwiec 2022
EAN: 822252251326
60,00zł
w magazynie
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Nasze kategorie wyszukiwania

Epoka muzyczna: barok, romantyzm
Obszar (język): włoski, niemiecki
Instrumenty: skrzypce
Rodzaj: sonata, wariacje

Kreisler / Tartini / Corelli: La folia

Avie - AV 2513
Kompozytor
Fritz Kreisler (1875-1962)
Giuseppe Tartini (1692-1770)
Arcangelo Corelli (1653-1713)
Tomaso Antonio Vitali, Maria Theresia von Paradis
Wykonawcy
Sebastian Bohren, violin
CHAARTS Chamber Artists
Stringendo Zürich / Jens Lohmann
Nagrody i rekomendacje
 
MusicWeb Recording of the Month
 
Fritz Kreisler:
Praeludium and Allegro in the style of Pugnani (arr. violin & strings Manuel Naegeli)
Variations on a theme of Corelli in the Style of Tartini (arr. violin & strings Mariana Rudakevych)

Tomaso Antonio Vitali:
Chaconne in G minor (arr. Violin & strings Peter Petrof, after the violin & piano arr. By Léopold Charlier)

Maria Theresia von Paradis:
Sicilienne (arr. Violin & strings Mariana Rudakevych)

Arcangello Corelli:
Violin Sonata in D minor, Op. 5 No. 12, ‘La Folia’ (arr. Violin & strings Mariana Rudakevych, after the violin & piano arr. By Hubert Léonard)

Giuseppe Tartini:
Violin Sonata in A, GT 2 .A16 (arr. Violin & strings Ottorino Respighi (‘Pastorale’ P.86))
Violin Sonata in G minor, GT 2. g05, ‘Devil’s Trill’ (arr. Violin & strings Ingolf Turban & Holger Frey)
Sebastian Bohren’s new album La folia is an affectionate homage – to Ida Haendel, one of his heroes; to fiddlers of the late 19th and early 20th centuries; and to the violin itself. The Swiss violinist says, “It is also like a hall of mirrors, as some tracks invoke the spirits of two or three violinists.” From an early age, Sebastian was immersed in a lineage of violinists who favoured Romantic transcriptions of Baroque repertoire, studying with a pupil of the great Ukrainian-born violinist Nathan Milstein. Later in life, he fell under the influence of violinist Ida Haendel on YouTube, watching her perform Corelli’s La folia variations. “She played this amazing virtuoso cadenza, and I was captivated.”

So arose the concept of a programme reflecting the ethos of La folia, the earcatching theme which has fascinated composers for centuries, from the Baroque era’s Tomaso Antonio Vitali and Giuseppe Tartini to latter-day Ottorino Respighi and Fritz Kreisler. Sebastian captures the sound world with sincerity, playing on two different violins, the 1710 “King George” Stradivarius, and a Guadagnini made in 1761.

Recorded: 3–5 May 2021 (4–11) & 7 & 8 January 2022 (1–3), Reformierte Kirche Oberstrass, Zurich. Sebastian Bohren plays a 1761 violin made in Parma by Giovanni Battista Guadagnini, the ‘Ex-Wanamaker-Hart’.

Zobacz także:

  • CC 72749
  • BIS 1196
  • LAW 022
  • SIGCD 719
  • PAS 1120
  • GEN 22793
  • AUDITE 97807
  • C 230091
  • KTC 9012
  • PTC 5186867