Utwory na płycie:

• Inventions No. 10 in D Major, BWV 781
• Inventions No. 11 in G Minor, BWV 782
• Inventions No. 12 in A Major, BWV 783
• Inventions No. 13 in A Minor, BWV 784
• Inventions No. 14 in B Flat Major, BWV 785
• Inventions No. 15 in B Minor, BWV 786
• 24 Préludes, Op. 28 No. 1 in C Major – Agitato
• 24 Préludes, Op. 28 No. 2 in A Minor – Lento
• 24 Préludes, Op. 28 No. 3 in G Major – Vivace
• 24 Préludes, Op. 28 No. 4 in E Minor – Largo
• Inventions No. 1 in C Major, BWV 772
• 24 Préludes, Op. 28 No. 5 D Major – Allegro molto
• 24 Préludes, Op. 28 No. 6 in B Minor – Lento assai
• 24 Préludes, Op. 28 No. 7 in A Major – Andantino
• 24 Préludes, Op. 28 No. 8 in F sharp Major – Molto agitato
• 24 Préludes, Op. 28 No. 9 in E Major – Largo
• 24 Préludes, Op. 28 No. 10 in C sharp Minor – Allegro molto
• 24 Préludes, Op. 28 No. 11 in B Major – Vivace
• 24 Préludes, Op. 28 No. 12 G sharp Minor – Presto
• 24 Préludes, Op. 28 No. 13 in F sharp Major – Lento
• 24 Préludes, Op. 28 No. 14 in E flat Minor – Allegro
• Inventions No. 2 in C Minor, BWV 773
• 24 Préludes, Op. 28 No. 15 in D flat Major – Sostenuto
• 24 Préludes, Op. 28 No. 16 in B flat Minor – Presto con fuoco
• 24 Préludes, Op. 28 No. 17 in A flat Major – Allegretto
• 24 Préludes, Op. 28 No. 18 in F Minor – Allegro molto
• 24 Préludes, Op. 28 No. 19 in E flat Major – Vivace
• 24 Préludes, Op. 28 No. 20 in C Minor – Largo
• 24 Préludes, Op. 28 No. 21 in B flat Major – Cantabile
• 24 Préludes, Op. 28 No. 22 in G Minor – Molto agitato
• 24 Préludes, Op. 28 No. 23 in F Major – Moderato
• 24 Préludes, Op. 28 No. 24 In D Minor – Allegro appassionata
• Inventions No. 3 in D Major, BWV 774
• Inventions No. 4 in D Minor, BWV 775
• Inventions No. 5 in E Flat Major, BWV 776
• Inventions No. 6 in E Major, BWV 777
• Inventions No. 7 in E Minor, BWV 778
• Inventions No. 8 in F Minor, BWV 779
• Inventions No. 9 in F Minor, BWV 780

Johann Sebastian Bach:
Inventions

Frederic Chopin:
24 Préludes, Op. 28

„J. S. Bach’s Inventions – unfortunately still regarded as mere exercises – have fascinated me since my childhood thanks to their incredibly refined wealth of ideas, particularly when it comes to just two voices, where it is up to the player to discover how able you really have to be in order to master the task.

And standing in contrast to this is one of the most challenging cycles in piano music, in both a musical and a technical sense – Chopin’s Préludes, with their rapid changes between different, and at times highly polarised, feelings and sentiments; a synthesis imbibed with disarming naturalness that makes it almost impossible for a performance to bring out the music itself and not the interpreter.

The tension between the deceptive straightforwardness of Bach and the simplicity required by the complexity of Chopin, for me, makes this an exciting combination.” (DINA UGORSKAJA)

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Recording: III 2004, Detmolder Sommertheater, Detmold. Piano: C. Bechstein D-280, 188512/20249 (April 2002).