Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553146
Nośnik: 1 CD
Data wydania: październik 2018
EAN: 4260085531462
Nr katalogowy: AVI 8553146
Nośnik: 1 CD
Data wydania: październik 2018
EAN: 4260085531462
Haydn: Horn Concertos
Avi Music - AVI 8553146
Wykonawcy
Premysl Vojta, horn
Fabrice Millischer, trombone
Haydn Ensemble Prague / Martin Petrak
Premysl Vojta, horn
Fabrice Millischer, trombone
Haydn Ensemble Prague / Martin Petrak
Utwory na płycie:
- Concerto per il Corno da caccia D-Dur / in D Major, Hob. VIId:3 - Andante
- Concerto per il Corno da caccia D-Dur / in D Major, Hob. VIId:3 - Finale. Allegro
- Concerto per il Corno principale in D Major, MH 53 / Hob. VIIb:4 - Allegro moderato
- Concerto per il Corno principale in D Major, MH 53 / Hob. VIIb:4 - Adagio
- Concerto per il Corno principale in D Major, MH 53 / Hob. VIIb:4 - Allegro
- Concertino per il Corno e Trombone Adagio
- Concertino per il Corno e Trombone Allegro molto
- Concertino per il Corno D-Dur / in D Major, MH 134 - Larghetto
- Concertino per il Corno D-Dur / in D Major, MH 134 - Allegro ma non troppo
- Concertino per il Corno D-Dur / in D Major, MH 134 - Menuetto - Trio
- Concerto per il Corno da caccia D-Dur / in D Major, Hob. VIId:3 - Allegro
Michael Haydn:
Concerto per il Corno principale in D Major, MH 53 (Hob. VIIb:4?)
Concerto per il Corno e Trombone (from Serenata, MH 86) in D
Concertino per il Corno in D Major, MH 134
Jospeh Haydn:
Concerto per il Corno da caccia in D Major, Hob. VIId:3
Concerto per il Corno principale in D Major, MH 53 (Hob. VIIb:4?)
Concerto per il Corno e Trombone (from Serenata, MH 86) in D
Concertino per il Corno in D Major, MH 134
Jospeh Haydn:
Concerto per il Corno da caccia in D Major, Hob. VIId:3
Horn Concertos by Michael & Joseph Haydn
It is difficult to ascertain how many horn concertos Joseph Haydn and his younger brother Michael actually wrote. Certain works are lost; others are erroneously ascribed, or their authenticity is at least doubtful. One of the concertos has even been ascribed by different musicologists to Joseph and to Michael Haydn, but it may have been written by another person entirely. The two brothers wrote most of their concertos for the widest variety of solo instruments, but usually in the same type of situation: i.e. once they had assumed important posts at the head of renowned court orchestras. Joseph Haydn became Kapellmeister for the Ezterházy princes in 1761, and Michael became concertmaster of the Salzburg archdiocese court orchestra in 1763.
The court musicians in both orchestras were virtuosos in their own right, and one of the tasks of a Kapellmeister consisted in composing new works that permitted them to display their outstanding abilities in the presence of their sovereigns.
(Excerpt from the liner notes by Dr. Arnim Raab, Haydn-Institut)
It is difficult to ascertain how many horn concertos Joseph Haydn and his younger brother Michael actually wrote. Certain works are lost; others are erroneously ascribed, or their authenticity is at least doubtful. One of the concertos has even been ascribed by different musicologists to Joseph and to Michael Haydn, but it may have been written by another person entirely. The two brothers wrote most of their concertos for the widest variety of solo instruments, but usually in the same type of situation: i.e. once they had assumed important posts at the head of renowned court orchestras. Joseph Haydn became Kapellmeister for the Ezterházy princes in 1761, and Michael became concertmaster of the Salzburg archdiocese court orchestra in 1763.
The court musicians in both orchestras were virtuosos in their own right, and one of the tasks of a Kapellmeister consisted in composing new works that permitted them to display their outstanding abilities in the presence of their sovereigns.
(Excerpt from the liner notes by Dr. Arnim Raab, Haydn-Institut)