Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553411
Nośnik: 3 CD
Data wydania: marzec 2019
EAN: 4260085534708
Nr katalogowy: AVI 8553411
Nośnik: 3 CD
Data wydania: marzec 2019
EAN: 4260085534708
Bernstein: Piano & Chamber Music
Avi Music - AVI 8553411
Kompozytor
Leonard Bernstein (1918-1990)
Leonard Bernstein (1918-1990)
Wykonawcy
Wayne Marshall, piano
Benyamin Nuss, piano
Jennifer Micallef, piano
Chad Hoopes, violin
Lisa Schumann, violin
Fernando Nina, cello
Maria Kliegel, cello
Andy Milles, clarinet
Peter Monkediek, trumpet
Peter Roth, trumpet
Maurice Steger, recorder
Paul van Zelm, horn
Jeffrey Kant, trombone
Hans Nickel, tuba
Wayne Marshall, piano
Benyamin Nuss, piano
Jennifer Micallef, piano
Chad Hoopes, violin
Lisa Schumann, violin
Fernando Nina, cello
Maria Kliegel, cello
Andy Milles, clarinet
Peter Monkediek, trumpet
Peter Roth, trumpet
Maurice Steger, recorder
Paul van Zelm, horn
Jeffrey Kant, trombone
Hans Nickel, tuba
Nagrody i rekomendacje
Utwory na płycie:
Anniversaries Nr. 1-5 (1954) - Nr. 1 For Elizabeth Rudolf- Anniversaries Nr. 1-5 (1954) - Nr. 2 For Lukas Foss
- Anniversaries Nr. 1-5 (1954) - Nr. 3 For Elizabeth B.
- Anniversaries Nr. 1-5 (1954) - Nr. 4 For Sandy Gellhorn
- Anniversaries Nr. 1-5 (1954) - Nr. 5 For Susanna Kyle
- Anniversaries Nr. 1-4 (1948) - Nr. 1 For Felicia Montealegre
- Anniversaries Nr. 1-4 (1948) - Nr. 2 For Johnny Mehegan
- Anniversaries Nr. 1-4 (1948) - Nr. 3 For David Diamond
- Anniversaries Nr. 1-4 (1948) - Nr. 4 For Helen Coates
- Anniversaries Nr. 1- 7 (1943) - Nr. 1 For Aaron Copland
- Anniversaries Nr. 1- 7 (1943) - Nr. 2 For my sister, Shirley
- Anniversaries Nr. 1- 7 (1943) - Nr. 3 In Memoriam: Alfred Eisner
- Anniversaries Nr. 1- 7 (1943) - Nr. 4 For Paul Bowles
- Anniversaries Nr. 1- 7 (1943) - Nr. 5 In Memoriam: Nathalie Koussevitzky
- Anniversaries Nr. 1- 7 (1943) - Nr. 6 For Sergei Koussevitzky
- Anniversaries Nr. 1- 7 (1943) - Nr. 7 For William Schumann
- Anniversaries Nr. 1-13 (1989) - Nr. 1 For Shirley Roads Perle
- Anniversaries Nr. 1-13 (1989) - Nr. 2 In Memoriam: William Kapell
- Anniversaries Nr. 1-13 (1989) - Nr. 3 For Stephan Sondheim
- Anniversaries Nr. 1-13 (1989) - Nr. 4 For Craig Urquhart
- Anniversaries Nr. 1-13 (1989) - Nr. 5 For Leo Smit
- Anniversaries Nr. 1-13 (1989) - Nr. 6 For My Daughter, Nina
- Anniversaries Nr. 1-13 (1989) - Nr. 7 In Memoriam: Helen Coates
- Anniversaries Nr. 1-13 (1989) - Nr. 8 In Memoriam: Goddard Lieberson
- Anniversaries Nr. 1-13 (1989) - Nr. 9 For Jessica Fleischmann
- Anniversaries Nr. 1-13 (1989) - Nr. 10 In Memoriam: Constance Hope
- Anniversaries Nr. 1-13 (1989) - Nr. 11 For Felicia, on our 28th Birthday
- Anniversaries Nr. 1-13 (1989) - Nr. 12 For Aaron Stern
- Anniversaries Nr. 1-13 (1989) - Nr. 13 In Memoriam: Ellen Goetz
- Sonate für Klavier (1938) - 1.
- Anniversaries Nr. 1-13 (1989) - 2.
- Touches (1981) - 1. Chorale
- Touches (1981) - 2. Var. 1
- Touches (1981) - 3. Var. 2
- Touches (1981) - 4. Var. 3
- Touches (1981) - 5. Var. 4
- Touches (1981) - 6. Var. 5
- Touches (1981) - 7. Var. 6
- Touches (1981) - 8. Var. 7
- Touches (1981) - 9. Var. 8
- Touches (1981) - Coda
- Leonardo's Vision
- Sonate für Klarinett und Klavier (1942) - 1.
- Sonate für Klarinett und Klavier (1942) - 2.
- Sonate für Violine und Klavier (1940) - 1. Moderato assai
- Sonate für Violine und Klavier (1940) - 2. Var. 1: Allegro
- Sonate für Violine und Klavier (1940) - 3. Var. 2: Prestissimo
- Sonate für Violine und Klavier (1940) - 4. Var. 3: L'istesso tempo (ma un poco più libre)
- Sonate für Violine und Klavier (1940) - 5. Var. 4 : Andante teneramente
- Sonate für Violine und Klavier (1940) - 6. Var. 5: Allegro agitato
- Sonate für Violine und Klavier (1940) - 7. Var. 6: Finale
- Trio für Klavier, Violine und Violoncello (1937) - 1. Adagio non troppo - Allegro vivace
- Trio für Klavier, Violine und Violoncello (1937) - 2. Tempo di marcia - Presto
- Trio für Klavier, Violine und Violoncello (1937) - 3. Largo - Allegro vivo e molto ritmico
- Meditations Nr. 1-3 (für Violoncello und Klavier) (1971) - Nr. 1 Meditation
- Meditations Nr. 1-3 (für Violoncello und Klavier) (1971) - Nr. 2 Meditation
- Meditations Nr. 1-3 (für Violoncello und Klavier) (1971) - Nr. 3 Meditation
- Elegy for Mippy I (für Horn und Klavier) (1948)
- Elegy for Mippy II (für Pousane solo) (1948)
- Elegy For Mippy Iiii (Für Tuba Und Klavier) (1948)
- Rondo for Lifey (für Trompete und Klavier) (1948)
- Dance Suite (für Blasquintett) (1990) - 1. Dancisca
- Dance Suite (für Blasquintett) (1990) - 2. Waltz
- Dance Suite (für Blasquintett) (1990) - 3. Bi-Tango
- Dance Suite (für Blasquintett) (1990) - 4. Two-Step
- Dance Suite (für Blasquintett) (1990) - 5. Mtv
- Fanfare for Bima (für Blasquartett) (1948)
- Variations on an Octatonic Scale (für Blockflöte und Violoncello) (1988) - 1. Theme: Andante sostenuto
- Variations on an Octatonic Scale (für Blockflöte und Violoncello) (1988) - 2. Var. 1: Piu mosso
- Variations on an Octatonic Scale (für Blockflöte und Violoncello) (1988) - 3. Var. 2: Piu mosso ma comodo
- Variations on an Octatonic Scale (für Blockflöte und Violoncello) (1988) - 4. Var. 3: Ancora piu mosso, agitato
- Variations on an Octatonic Scale (für Blockflöte und Violoncello) (1988) - 5. Var. 4: Piu mosso, quasi allegro
- Variations on an Octatonic Scale (für Blockflöte und Violoncello) (1988) - 6. Coda: Adagio
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Prelude - Moderato (Beginning Part I) - Variation on Adolph Filis Green
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Nr. 1 Love Song
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Nr. 2 Chaplinesque
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Nr. 3 Chaplinade
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Interlude (Beginnig Part II) - Wedding dance
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Nr. 1 The fisrt waltz
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Nr. 2 Cha-Cha-Cha
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Nr. 3 Hora
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Encore Nr. 1 Modern music
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Encore Nr. 2 Old music
- Bridal Suite (für Klavier zu 4 Händen) (1960) - Encore Nr. 3 Magyar lullaby
- Music for Two Pianos (1937)
- Sabras Nr. 1-4 (1950) - Nr. 1 Ilana: The Dreamer
- Sabras Nr. 1-4 (1950) - Nr. 2 Idele: The Chassidele
- Sabras Nr. 1-4 (1950) - Nr. 3 Yosi: The Jokester
- Sabras Nr. 1-4 (1950) - Nr. 4 Dina: The Tomboy who Weeeps Alone
CD 1:
Five Anniversaries
Four Anniversaries
Seven Anniversaries
Thirteen Anniversaries
Piano Sonata
Touches
CD 2:
Leonardo's Vision
Sonata for Clarinet and Piano
Piano Trio
Three Mediations from "Mass" for Cello and Piano
CD 3:
Elegy for Mippy I for Horn and Piano
Elegy for Mippy II for solo Trombone
Waltz for Mippy III for Tuba and Piano
Rondo for Lifey, for Trumpet and Piano
Dance Suite for Wind Quintet
Fanfare for Bima for Wind Quartet
Variations on an Octatonic Scale for Recorder and Cello
Bridal Suite for Piano four Hands
Music for Two Pianos
Four Sabras
Five Anniversaries
Four Anniversaries
Seven Anniversaries
Thirteen Anniversaries
Piano Sonata
Touches
CD 2:
Leonardo's Vision
Sonata for Clarinet and Piano
Piano Trio
Three Mediations from "Mass" for Cello and Piano
CD 3:
Elegy for Mippy I for Horn and Piano
Elegy for Mippy II for solo Trombone
Waltz for Mippy III for Tuba and Piano
Rondo for Lifey, for Trumpet and Piano
Dance Suite for Wind Quintet
Fanfare for Bima for Wind Quartet
Variations on an Octatonic Scale for Recorder and Cello
Bridal Suite for Piano four Hands
Music for Two Pianos
Four Sabras
Anniversary Edition for his 100th Birthday
“Leonard Bernstein was certainly not surrounded by an aura of aloofness. He enjoyed his immense popularity, although he never consciously attempted to be “everybody’s darling” and to be hailed as “Lenny” by everyone on the street.
His parents had officially named him Louis, but tended to call him Leonard. Serge Koussevitzky, his teacher and elder friend – with whom he not only shared an outstanding musical talent but also an East European Jewish family background – called him “Lenyusha”.
Bernstein himself preferred “Lenny” and thought up a pseudonym under which he wrote popular music during his youth to stay afloat: “Lenny Amber”, since “amber” is the English translation of the German word “Bernstein”. He founded a publishing house to bring out his own works and called it “Amberson Enterprises”.
Games with codes, cyphers, codenames and identities run through Bernstein’s entire output: references to himself, to people in his private circle, or to works by other composers from all periods and almost all genres from Baroque to jazz…...” (Excerpt from the Booklet Notes by Johannes Jansen)
“Leonard Bernstein was certainly not surrounded by an aura of aloofness. He enjoyed his immense popularity, although he never consciously attempted to be “everybody’s darling” and to be hailed as “Lenny” by everyone on the street.
His parents had officially named him Louis, but tended to call him Leonard. Serge Koussevitzky, his teacher and elder friend – with whom he not only shared an outstanding musical talent but also an East European Jewish family background – called him “Lenyusha”.
Bernstein himself preferred “Lenny” and thought up a pseudonym under which he wrote popular music during his youth to stay afloat: “Lenny Amber”, since “amber” is the English translation of the German word “Bernstein”. He founded a publishing house to bring out his own works and called it “Amberson Enterprises”.
Games with codes, cyphers, codenames and identities run through Bernstein’s entire output: references to himself, to people in his private circle, or to works by other composers from all periods and almost all genres from Baroque to jazz…...” (Excerpt from the Booklet Notes by Johannes Jansen)
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