Wydawnictwo: Avi Music
Nr katalogowy: AVILP 8553392
Nośnik: 1 LP
Data wydania: marzec 2018
EAN: 4260085533923
Nr katalogowy: AVILP 8553392
Nośnik: 1 LP
Data wydania: marzec 2018
EAN: 4260085533923
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): polski, francuski
Instrumenty: fortepian
Epoka muzyczna: 20 wiek do 1960
Obszar (język): polski, francuski
Instrumenty: fortepian
Debussy / Szymanowski: Cathy Krier
Avi Music - AVILP 8553392
Wykonawcy
Cathy Krier, piano
Cathy Krier, piano
Utwory na płycie:
- Masks Op. 34 (1915) - III. Sérénade de Don Juan
- Images Book I L. 110 (1904/05) - I. Reflets dans l’Eau
- Images Book I L. 110 (1904/05) - II. Hommage à Rameau
- Images Book I L. 110 (1904/05) - III. Mouvement
- Images Book II L. 111 (1907) - I. Cloches à travers les feuilles
- Images Book II L. 111 (1907) - II. Et la lune descend sur le temple qui fût
- Images Book II L. 111 (1907) - III. Poissons d’or
- Masques L. 105 (1890)
- Masks Op. 34 (1915) - I. Shéhérazade
- Masks Op. 34 (1915) - II. Tantris le Bouffon
Side A:
Claude Debussy:
Images - Book I, L. 110
Images - Book II, L. 111
Side B:
Karol Szymanowski:
Masques, Op. 34
Claude Debussy:
Images - Book I, L. 110
Images - Book II, L. 111
Side B:
Karol Szymanowski:
Masques, Op. 34
„In this new album, Cathy Krier takes an original step and goes entirely against the grain of her previous programmatic approach. In her two most recent CDs she had juxtaposed the apparently divergent styles of Rameau and Ligeti, or Liszt vs. Berg/Schoenberg, uncovering astounding new connections among them. The current release now takes the opposite path. At first glance, Claude Debussy – the inventor of musical Impressionism – and Karol Szymanowski – often called the ‘Polish Impressionist’ – would seem to have much in common. Both composers even use the same title in French: Masques (masks). Cathy Krier affirms, nevertheless, that she is much more interested in the differences one can observe between these two works written roughly during the same period. Our listening experience is thus enriched thanks to a new, fascinating aesthetical perspective. “
(excerpts from the booklet notes by Clemens Matuschek)
Recording: XI 2016, Chamber Music Hall of Philharmonie Luxembourg
(excerpts from the booklet notes by Clemens Matuschek)
Recording: XI 2016, Chamber Music Hall of Philharmonie Luxembourg