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Wydawnictwo: Bis
Seria: CPE Bach Edition
Keyboard Concertos
Nr katalogowy: BIS 1957
Nośnik: 1 CD
Data wydania: luty 2013
EAN: 7318590019573
w magazynie
Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): niemiecki
Instrumenty: pianoforte, klawesyn
Rodzaj: koncert

Bach CPE: Keyboard Concertos, Volume 19

Bis - BIS 1957
Miklós Spányi, harpsichord/fortepiano [Wq44]
Concerto Armonico Budapest
Artistic direction:
Miklós Spányi
Márta Ábrahám
Nagrody i rekomendacje
ICMA Award Nomination Music Island Recommends
Utwory na płycie:
Concerto in G major, Wq 43/5 (H 475)
Concerto in C major, Wq 43/6 (H 476)
Concerto in G major, Wq 44 (H 477)
Concerto in D major, Wq 45 (H 478)
On the penultimate disc in his series of the complete keyboard concertos by C.P.E. Bach, Miklós Spányi completes the set of six concertos (Sei Concerti, Wq 43/1-6) begun on Volume 17. Bach finished working on the set in 1771, but had already advertised its coming publication. In a bid to reach as many potential subscribers as possible, he marketed the works as ‘easy’, and also included optional parts for wind instruments: two horns in all the fast movements, replaced by flutes in the slow movements. Bach’s aim was to make the works appealing to both players and listeners, and the result is a set of highly attractive pieces, with approachable melodies and dance rhythms but also displaying a new freedom with regard to conventional concerto form. With the expert support of the Hungarian period band Concerto Armonico, Miklós Spányi performs the solo parts of Wq 43/5 and 43/6 on a harpsichord, a copy of an instrument from 1745. Inspired by the English harpsichords that were imported in great number to Northern Germany during Bach’s time, this instrument has been fitted with a so-called ‘swell device’, enabling the performer to achieve dynamic shadings and crescendo-diminuendo effects consistent with the instructions in Bach’s scores. Some seven years after the Sei Concerti, Bach composed the concertos in G major (Wq 44) and D major (Wq 45) – two works which, although composed in the same year, are strikingly different in character, evidence of Bach’s continuing desire to give each new work a distinctive identity. This has led Miklós Spányi to choose to perform the Wq 44 concerto on a fortepiano from 1798, by the English maker Broadwood, returning to the harpsichord for the final work on the disc

Zobacz także:

  • BIS 768
  • BIS 963
  • BIS 2337
  • BIS 2331
  • AE 10164
  • CC 72804
  • KTC 1920
  • CRC 3642/43
  • SIGCD 557
  • ACD 22772