Utwory na płycie:

• Vårt land, Op. 146 (beginning)
• III. Vergeben ... from Nein zur Lebensangst, Op. 120 (beginning)
• Nu är sommarn här (1943) (beginning)

Petrarca-Suite, Op.118
Gudarnas spar, Op.88
Vestenvinden, Op73a
Lamento – Burletta (1957)
Barnet travar, Filmmanuskript & En varvisa from Op.38a
Mitt träd är pinjen, Op.12 No.5
Four Songs for mixed chorus, Op.44b
Psalm, Op.50a
Springtime, Op 60
Vart land, Op.146
Nein zur Lebensangst, Op.120
Hommage a Béla Bartók, Op.132
Sommarnatt (1945)
Nu är sommarn här (1943)
Skärgardsgossens visa (arr.) (1938)
Den vän jag älskat… (arr.)
Och gossen gick sig ut… (arr.) (1937)
Tyttöset, Op.73b
Väinämöinen, Op.147

In his later years often described as the grand old man of Finnish modernism, Erik Bergman(1911–2006) was among the first in Finland to use compositional methods such as twelve-tone technique, serial music, choral Sprechgesangand aleatory counterpoint. His speciality was choral music, and a large part of his huge production involves a choir in some form. This recording focuses primarily on his works for mixed choir that have not appeared on disc before, and gives a broad picture of his production for the medium over a period of more than 60 years. Born to a Swedish-speaking family, many of Bergman’s settings were of poems in Swedish, but he was a true internationalist and this two-disc set also includes works with texts in Italian, Norwegian, English, German, and, naturally, Finnish. These are here performed by the Helsinki Chamber Choir, Finland’s only professional chamber choir, under its artistic director Nils Schweckendiek.