W. A. Mozart:
Finch'han dal vino, Meta di voi qua vadano & Deh, vieni alla finestra (from Don Giovanni)
Se vuol ballare & Hai gia vinta la causa (Le Nozze di Figaro)
Rivolgete a lui lo sguardo, K 584
Pyotr Ilyich Tchaikovsky:
Uzhel ta samaya Tatyana & Vi mnye pisali (Eugene Onegin)
Ya vas lyublyu (The Queen of Spades)
Richard Wagner:
Blick' ich umher … & Wie Todesahnung (Tannhäuser)
Charles Gounod:
Avant de quitter ces lieux (Faust)
Gioacchino Rossini:
Largo al factotum (Il barbiere di Siviglia)
Giuseppe Verdi:
Son io, mio Carlo (Don Carlo)
Benjamin Britten:
Look! Through the port (Billy Budd)

The Swedish baritone Peter Mattei has made a formidable reputation for himself performing at the most prestigious opera houses in the world: the Metropolitan, Teatro alla Scala and Covent Garden, to mention but a few. He first came to the attention of an international audience when Peter Brook selected him as his Don Giovanni, for an Aix-en-Provence production which was later filmed. Something of a ‘director’s opera singer’, Mattei has also worked with Ingmar Bergman, Michael Haneke and Patrice Chereau, and regularly astounds audiences with his exceptional acting skills, coupled as they are with a voice of rare beauty. In the recording studio he is, however, a more rarely seen guest. On this his first and long-awaited disc of arias, he revels in the rich opportunities offered by the baritone literature, performing a selection of his favourite arias and roles. Lovelorn young men and cynical libertines, friends faithful unto death and innocent victims of oppression – all of these are brought to life as one of today’s finest operatic baritones displays his entire range with the eminent support of the Royal Stockholm Philharmonic Orchestra and Lawrence Renes on the podium.