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bissacd1801
Wydawnictwo: Bis
Seria: Bach Cantatas
Nr katalogowy: BISSACD 1801
Nośnik: 1 SACD
Data wydania: październik 2009
EAN: 7318599918013
54,00zł
na zamówienie
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Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): niemiecki
Rodzaj: kantata

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Bach: Cantatas Vol 45: BWV 39, 187, 129, 1045

Bis - BISSACD 1801
Wykonawcy
Yukari Nonoshita, soprano
Robin Blaze, counter-tenor
Peter Kooij, bas
Bach Collegium Japan / Masaaki Suzuki
Nagrody i rekomendacje
 
Luister 10 Music Island Recommends
 
Utwory na płycie:
Brich dem Hungrigen dein Brot, BWV39
Es wartet alles auf dich, BWV187
Gelobet sei der Herr, mein Gott, BWV129
Sinfonia D-Dur, BWV1045
During the period from which these three cantatas come, Bach no longer presented a new cantata of his own every Sunday. Instead he made extensive use of compositions by others, including his own second cousin Johann Ludwig Bach, court composer at Meiningen. In several instances, Bach also reused texts set by Johann Ludwig for his own compositions, including two of the cantatas here, Brich dem Hungrigen dein Brot and Es wartet alles auf dich. Both of these follow a pattern which falls into two parts, with the opening text of each section being taken from the Old and the New Testament respectively. The third cantata, Gelobet sei der Herr, mein Gott, is also unusual in its structure, in that it utilizes five strophes of a single hymn, word for word. The hymn strophes are respectively used for an opening chorus, three arias and a closing chorale, with the first and fifth movement – resplendently scored with trumpets and timpani – utilizing the same hymn melody, although in very different ways. The three arias (for bass, soprano and alto) are more intimate in size, but also highly varied, addressing in turn Christ, the Holy Spirit and the full Trinity. The disc closes with a movement for solo violin and orchestra, thought to be an opening sinfonia for an unknown cantata. It is possibly a late arrangement of an early work, as the highly virtuosic solo part seems to suggest influences from the Italian violin concertos that were making such an impact in Germany during the first decades of the 18th century. With this disc the cantata series of Bach Collegium Japan and Masaaki Suzuki reaches its 45th instalment, to ever-growing acclaim, as exemplified by a recent review regarding Volume 42: ‘a recording which shows Suzuki maturing along with Bach … another fine instalment in this most consistent of series’ (International Record Review).

Zobacz także:

  • BISSACD 1571
  • BISSACD 1451
  • COBRA 0071
  • B 108110
  • LWC 1162
  • PN 1580
  • CDA 68219
  • WER 73792
  • NFPMA 99128
  • NFPMA 98005