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Wydawnictwo: Bis
Seria: Bach Cantatas
Nr katalogowy: BISSACD 2031
Nośnik: 1 SACD
Data wydania: listopad 2013
EAN: 7318599920313
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): niemiecki
Rodzaj: kantata

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Bach: Cantatas Vol 55: BWV 30, 69, 191

Bis - BISSACD 2031
Nagrody i rekomendacje
Diapason 5 Fanfare Recommendation Joker Crescendo Preis der Deutschen Schallplattenkritik klassik heute 10 Gramophone Editor's Choice BBC Music Choice Music Island CD of the Year
Lobe den Herrn, meine Seele, BWV69
Freue dich, erlöste Schar, BWV30
Gloria in excelsis Deo, BWV19
In classical music, one of the most monumental tasks that anyone could undertake is that of recording the complete church cantatas by J.S. Bach. Masaaki Suzuki and his Bach Collegium Japan recorded the first instalment of their cycle in 1995. Now, 18 years and 55 discs later, a great adventure is brought to a close. The chronological approach adopted by Suzuki means that the three works included here are the last extant cantatas by Bach’s hand. But as so often with the sacred music from his late period, in all three Bach turned to earlier works. Lobe den Herrn, meine Seele, BWV69, was first performed at a Leipzig church service in 1748 celebrating the annual change of municipal leadership. With its rich orchestral scoring it was excellently suited to the task of lending appropriate artistic splendour to the political festivities, and the fact that its central movements had already been performed at a similar occasion some 25 years earlier was probably not recognized by anyone in the illustrious congregation. In Freue dich, erlöste Schar, BWV30, Bach also harks back to an earlier work, but this time of a secular nature, which explains various unusual features, such as the surprising beginning of the introductory chorus, without any instrumental prelude, and Bach’s liberal use of dance models such as the passepied, the gavotte and the gigue. The closing work of the disc – and of the entire series – isn’t really a cantata in the usual sense of the word: with its Latin text, it could never have been performed at a regular church service in Lutheran Leipzig in Bach’s time. A reworking of the Gloria from the B minor Mass, BWV232, its three movements were possibly prepared by Bach at short notice for a special ceremony at the Leipzig University Church on Christmas Day 1745, to celebrate a peace treaty between Prussia and Saxony. Even though its connections to the genre may be regarded as tenuous, Gloria in excelsis Deo, BWV191 is traditionally included among the church cantatas – and it is difficult to think of a more suitable finale to a recording project remarkable not just for its musical qualities but also for the performers’ approach to the religious dimension of these works: ‘Glory to God in the highest’.

I tak oto dobrnęliśmy do końca – to ostatni krążek w serii mającej na celu nagranie kompletu Bachowskich kantat kościelnych, który rozpoczął w 1995 roku. Nagrania dokonał jeden zespół Bach Collegium Japan pod kierunkiem Massakiego Suzuki. Wynik zdumiewający – 18 lat i 55 płyt. Na zakończenie kantata BWV 69 Lobe den Herrn, meine Seele – napisana w 1748 roku na wybór rady miejskiej, BWV 30 Freue dich, erlöste Schar¬ – kantata na dzień św. Jana, która powstała w 1738 roku i jest przeróbką wcześniej skomponowanego utworu świeckiego oraz BWV 191 Gloria in excelsis Deo, którą Bach napisał jako łaciński utwór na uroczystość Bożego Narodzenia, ale muzykę zaczerpnął z wcześniej napisanych trzech części z Mszy h-moll. Masaaki Suzuki dokonał rzeczy bardzo ważnej, a jego idiom wykonawczy bachowskiej muzyki jest kategorią samą dla siebie. Niepodważalną.
Alina Mądry - Audio Video 11-2013

Zobacz także:

  • BISSACD 1941
  • BIS 1081
  • ACC 24347
  • WWE 20442
  • C 932182
  • CDA 68231/2
  • CDA 68195
  • DCD 34200
  • HC 17061
  • OC 1873