Wydawnictwo: Bis
Nr katalogowy: BISSACD 2150
Nośnik: 1 SACD
Data wydania: marzec 2017
EAN: 7318599921501
Nr katalogowy: BISSACD 2150
Nośnik: 1 SACD
Data wydania: marzec 2017
EAN: 7318599921501
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): rosyjski
Instrumenty: fortepian
Rodzaj: sonata
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): rosyjski
Instrumenty: fortepian
Rodzaj: sonata
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Rachmaninow / Stravinsky / Czajkowski: A la russe
Bis - BISSACD 2150
Wykonawcy
Alexandre Kantorow, piano
Alexandre Kantorow, piano
Utwory na płycie:
Sergei Rachmaninov:
Piano Sonata No.1 in D minor, Op.28
Pyotr Ilyich Tchaikovsky:
Méditation and Passé lointain from 18 Morceaux, Op.72
Scherzo a la russe, Op.1/1
Igor Stravinsky:
Danse infernale, Berceuse & Finale from L’Oiseau de feu (transcr. Guido Agosti)
Mily Balakirev:
Islamey, Op.18
Piano Sonata No.1 in D minor, Op.28
Pyotr Ilyich Tchaikovsky:
Méditation and Passé lointain from 18 Morceaux, Op.72
Scherzo a la russe, Op.1/1
Igor Stravinsky:
Danse infernale, Berceuse & Finale from L’Oiseau de feu (transcr. Guido Agosti)
Mily Balakirev:
Islamey, Op.18
Alexandre Kantorowreleased his first disc for BIS in 2016, performing Liszt’s piano concertos to critical acclaim: ‘I’m here to tell you that Alexandre Kantorowis Liszt reincarnated’ wrote one impressed reviewer, in Fanfare Magazine. Not yet 20 years old, the French pianist and son of violinist and conductor Jean-Jacques Kantorownow explores his Russian roots, in a recital that opens with Rachmaninov’s weighty First Piano Sonata, inspired by Goethe’s play Faust, and its three main characters, the scholar Faust, his beloved Gretchen and Mephistopheles, the Devil’s emissary. The nostalgic intimacy of Méditationand Passé lointain, from Tchaikovsky’s Op. 72 collection, offers respite from the drama, but tension returns with Guido Agosti’svirtuosic piano arrangement of three extracts from Stravinsky’s Firebird. Kantorowcloses his Russian recital with MilyBalakirev’s ‘oriental fantasy’ Islamey, one of the iconic works of the piano literature. Fiendishly difficult, the piece famously inspired Ravel to write something that would be even harder to play (his Gaspard de la nuit). A committed Russian nationalist, Balakirev himself found the inspiration for Islameyduring a journey to the Caucasus when he was introduced to the local music tradition.