Wydawnictwo: Bis
Nr katalogowy: BISSACD 2199
Nośnik: 3 SACD
Data wydania: kwiecień 2021
EAN: 7318599921990
Nr katalogowy: BISSACD 2199
Nośnik: 3 SACD
Data wydania: kwiecień 2021
EAN: 7318599921990
Bach: The Brandenburg Project
Bis - BISSACD 2199
Kompozytor
Johann Sebastian Bach (1685-1750)
Mark-Anthony Turnage, Steven Mackey, Anders Hillborg, Olga Neuwirth, Uri Caine, Brett Dean
Johann Sebastian Bach (1685-1750)
Mark-Anthony Turnage, Steven Mackey, Anders Hillborg, Olga Neuwirth, Uri Caine, Brett Dean
Wykonawcy
Marten Larsson, oboe
Antje Weithaas, violin
Mahan Esfahani, harpsichord
Maya Beiser, cello
Hakan Hardenberger, trumpet
Fiona Kelly, flute
Pekka Kuusisto, violin
Claire Chase, flute
Uri Caine, piano
Tabea Zimmermann, viola
Brett Dean, viola
Swedish Chamber Orchestra / Thomas Dausgaard
Marten Larsson, oboe
Antje Weithaas, violin
Mahan Esfahani, harpsichord
Maya Beiser, cello
Hakan Hardenberger, trumpet
Fiona Kelly, flute
Pekka Kuusisto, violin
Claire Chase, flute
Uri Caine, piano
Tabea Zimmermann, viola
Brett Dean, viola
Swedish Chamber Orchestra / Thomas Dausgaard
Utwory na płycie:
- Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 - 1.
- Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 - 2. Adagio
- Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 - 3. Allegro
- Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 - 4. Menuett - Trio - Menuett - Polonaise - Menuett - Trio - Menuett
- Maya
- Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 - 1.
- Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 - 2. Andante
- Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 - 3. Allegro
- Triceros
- Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 - 1.
- Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 - 2. Very tender
- Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 - 3. Allegro
- Bach Materia - 1. Beginn
- Bach Materia - 2. Kadenz
- Bach Materia - 3. Takt 110
- Bach Materia - 4. Kadenz
- Bach Materia - 5. Takt 191
- Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 - 1. Allegro
- Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 - 2. Andante
- Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 - 3. Presto
- Aello - 1.
- Aello - 2.
- Aello - 3.
- Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 - 1. Allegro
- Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 - 2. Affettuoso
- Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 - 3. Allegro
- Hamsa - 1. Fast
- Hamsa - 2. Adagio
- Hamsa - 3. Vivace
- Approach - 1. Allegro impetuoso, volatile
- Approach - 2. Calm, serene
- Approach - 3. Slightly agitated though unhurried
- Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 - 1.
- Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 - 2. Adagio ma non tanto
- Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 - 3. Allegro
CD 1:
Johann Sebastian Bach:
Brandenburg Concerto No. 1 in F major, BWV 1046
Brandenburg Concerto No. 2 in F major, BWV 1047
Mark-Anthony Turnage:
Maya
Steven Mackey:
Triceros
CD 2:
Johann Sebastian Bach:
Brandenburg Concerto No. 3 in G major, BWV 1048
Brandenburg Concerto No. 4 in G major, BWV 1049
Anders Hillborg:
Bach Materia
Olga Neuwirth:
Aello - Ballet mécanomorphe
CD 3:
Johann Sebastian Bach:
Brandenburg Concerto No. 5 in D major, BWV 1050
Brandenburg Concerto No. 6 in B flat major, BWV 1051
Uri Caine:
Hamsa
Brett Dean:
Approach — Prelude to a Canon
Johann Sebastian Bach:
Brandenburg Concerto No. 1 in F major, BWV 1046
Brandenburg Concerto No. 2 in F major, BWV 1047
Mark-Anthony Turnage:
Maya
Steven Mackey:
Triceros
CD 2:
Johann Sebastian Bach:
Brandenburg Concerto No. 3 in G major, BWV 1048
Brandenburg Concerto No. 4 in G major, BWV 1049
Anders Hillborg:
Bach Materia
Olga Neuwirth:
Aello - Ballet mécanomorphe
CD 3:
Johann Sebastian Bach:
Brandenburg Concerto No. 5 in D major, BWV 1050
Brandenburg Concerto No. 6 in B flat major, BWV 1051
Uri Caine:
Hamsa
Brett Dean:
Approach — Prelude to a Canon
Along with Vivaldi’s ‘Seasons’ or Beethoven’s ‘Fifth’, Bach’s Brandenburg Concertos belong to those works that are so well-known that we risk taking them for granted. In order to (re-)discover the special qualities that can inspire us today, in 2001 Thomas Dausgaard and the Swedish Chamber Orchestra decided to contact six contemporary composer, asking each of them to compose a companion piece to one of the concertos. Seventeen years later, in 2018, it was time to present the result, with a performance at the BBC Proms of all the works – new and old.
Recorded over a period of 18 months leading up to this event, the present boxed set provides a unique opportunity to experience six very different musical minds and idioms entering into conversation with Bach: Mark-Anthony Turnage, Steven Mackey, Anders Hillborg, Olga Neuwirth, Uri Caine and Brett Dean. Bach’s concertos are remarkable in that they are all scored for different instrumental combinations, and part of the brief to the group of composers was to reflect this. In her Aello, Olga Neuwirth has for instance used several ‘instruments’ to stand in for Bach’s harpsichord, including a synthesizer, a milk frother and a typewriter. Brett Dean, on the other hand, has stayed very close to Bach’s instrumentation, but has chosen to write his work as a preparation for Brandenburg Concerto No. 6 – an Approachto Bach’s extremely tight canonic writing. In performing the twelve works the orchestra and Dausgaard are joined by leading soloists including Clare Chase, Mahan Esfahani, Hakan Hardenberger, Pekka Kuusisto and Tabea Zimmermann.
Recording: May 2017 at the Örebro Concert Hall, Sweden (Hillborg); August 2017 (Caine, Mackey), March 2018 (Dean, Neuwirth, Bach No. 6); July 2018 (Turnage, Bach No. 5 & No. 1 [part]); September 2018 (Bach No. 1 [part] & Nos 2 4).
Recorded over a period of 18 months leading up to this event, the present boxed set provides a unique opportunity to experience six very different musical minds and idioms entering into conversation with Bach: Mark-Anthony Turnage, Steven Mackey, Anders Hillborg, Olga Neuwirth, Uri Caine and Brett Dean. Bach’s concertos are remarkable in that they are all scored for different instrumental combinations, and part of the brief to the group of composers was to reflect this. In her Aello, Olga Neuwirth has for instance used several ‘instruments’ to stand in for Bach’s harpsichord, including a synthesizer, a milk frother and a typewriter. Brett Dean, on the other hand, has stayed very close to Bach’s instrumentation, but has chosen to write his work as a preparation for Brandenburg Concerto No. 6 – an Approachto Bach’s extremely tight canonic writing. In performing the twelve works the orchestra and Dausgaard are joined by leading soloists including Clare Chase, Mahan Esfahani, Hakan Hardenberger, Pekka Kuusisto and Tabea Zimmermann.
Recording: May 2017 at the Örebro Concert Hall, Sweden (Hillborg); August 2017 (Caine, Mackey), March 2018 (Dean, Neuwirth, Bach No. 6); July 2018 (Turnage, Bach No. 5 & No. 1 [part]); September 2018 (Bach No. 1 [part] & Nos 2 4).