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Wydawnictwo: Bis
Nr katalogowy: BISSACD 2199
Nośnik: 3 SACD
Data wydania: kwiecień 2021
EAN: 7318599921990
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Epoka muzyczna: barok
Obszar (język): niemiecki
Rodzaj: koncert

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Bach: The Brandenburg Project

Bis - BISSACD 2199
Johann Sebastian Bach (1685-1750)
Mark-Anthony Turnage, Steven Mackey, Anders Hillborg, Olga Neuwirth, Uri Caine, Brett Dean
Marten Larsson, oboe
Antje Weithaas, violin
Mahan Esfahani, harpsichord
Maya Beiser, cello
Hakan Hardenberger, trumpet
Fiona Kelly, flute
Pekka Kuusisto, violin
Claire Chase, flute
Uri Caine, piano
Tabea Zimmermann, viola
Brett Dean, viola
Swedish Chamber Orchestra / Thomas Dausgaard
Nagrody i rekomendacje
Pizzicato Supersonic
Utwory na płycie:
CD 1:
Johann Sebastian Bach:
Brandenburg Concerto No. 1 in F major, BWV 1046
Brandenburg Concerto No. 2 in F major, BWV 1047

Mark-Anthony Turnage:

Steven Mackey:

CD 2:
Johann Sebastian Bach:
Brandenburg Concerto No. 3 in G major, BWV 1048
Brandenburg Concerto No. 4 in G major, BWV 1049

Anders Hillborg:
Bach Materia

Olga Neuwirth:
Aello - Ballet mécanomorphe

CD 3:
Johann Sebastian Bach:
Brandenburg Concerto No. 5 in D major, BWV 1050
Brandenburg Concerto No. 6 in B flat major, BWV 1051

Uri Caine:

Brett Dean:
Approach — Prelude to a Canon
Along with Vivaldi’s ‘Seasons’ or Beethoven’s ‘Fifth’, Bach’s Brandenburg Concertos belong to those works that are so well-known that we risk taking them for granted. In order to (re-)discover the special qualities that can inspire us today, in 2001 Thomas Dausgaard and the Swedish Chamber Orchestra decided to contact six contemporary composer, asking each of them to compose a companion piece to one of the concertos. Seventeen years later, in 2018, it was time to present the result, with a performance at the BBC Proms of all the works – new and old.

Recorded over a period of 18 months leading up to this event, the present boxed set provides a unique opportunity to experience six very different musical minds and idioms entering into conversation with Bach: Mark-Anthony Turnage, Steven Mackey, Anders Hillborg, Olga Neuwirth, Uri Caine and Brett Dean. Bach’s concertos are remarkable in that they are all scored for different instrumental combinations, and part of the brief to the group of composers was to reflect this. In her Aello, Olga Neuwirth has for instance used several ‘instruments’ to stand in for Bach’s harpsichord, including a synthesizer, a milk frother and a typewriter. Brett Dean, on the other hand, has stayed very close to Bach’s instrumentation, but has chosen to write his work as a preparation for Brandenburg Concerto No. 6 – an Approachto Bach’s extremely tight canonic writing. In performing the twelve works the orchestra and Dausgaard are joined by leading soloists including Clare Chase, Mahan Esfahani, Hakan Hardenberger, Pekka Kuusisto and Tabea Zimmermann.

Recording: May 2017 at the Örebro Concert Hall, Sweden (Hillborg); August 2017 (Caine, Mackey), March 2018 (Dean, Neuwirth, Bach No. 6); July 2018 (Turnage, Bach No. 5 & No. 1 [part]); September 2018 (Bach No. 1 [part] & Nos 2 4).

Zobacz także:

  • RCD 1064
  • CHE 02242
  • CC 72842
  • COV 92010
  • ALN 1978
  • DGCD 21127
  • AN 28909
  • RH 017
  • QTZ 2138
  • WER 64322