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Wydawnictwo: Bis
Seria: Pettersson Symphonies
Nr katalogowy: BISSACD 2290
Nośnik: 1 SACD
Data wydania: marzec 2019
EAN: 7318599922904
62,00zł
na zamówienie
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Epoka muzyczna: współczesna
Obszar (język): szwedzki
Instrumenty: skrzypce
Rodzaj: koncert, symfonia

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Pettersson: Violin Concerto and Symphony No. 17

Bis - BISSACD 2290
Wykonawcy
Ulf Wallin, violin
Norrköping Symphony Orchestra / Christian Lindberg
Nagrody i rekomendacje
 
Diapason 5 Presto Disc of the Week
 
Zawartość
In terms of genre, Allan Petterssonwas uniquely single-minded: during his entire career as a composer (1953–80) he produced only a dozen or so works that were not symphonies. By name, Violin Concerto No. 2is one of these, but it is fair to say that it straddles the divide. Petterssonhimself remarked: ‘In reality my work was a Symphony for violin and orchestra. From this results the fact that the solo violin is incorporated into the orchestra like any other instrument.’ It should therefore not come as a surprise thatChristian Lindberghas chosen to include this massive 53-minute work in his acclaimed and award-winning series of Pettersson’ssymphonies, realised in collaboration with the NorrköpingSymphony Orchestra. The concerto was written in 1977, 28 years after its predecessor, the Concerto for Violin and String Quartet(1949). In that work, written while Petterssonwas still studying, the composer was experimenting with radical ideas that are not to be found in his later compositions. Concerto No. 2 is rather characterized by the central role given to one of Pettersson’sBarefoot Songs–a trait that appears in several other mature works. Throughout the score, the song ‘The Lord walks in the meadow’ provides motivic material but is also quoted extensively. The hugely challenging solo part was first performed by Ida Haendelin 1980, and is here taken up by Ulf Wallin, who with an extensive discography has already proved himself to be one of the most intrepid violinists of today. The disc closes with Pettersson’slast musical thoughts: a 207-bar long fragment generally regarded and referred to as a sketch for the composer’s Seventeenth Symphony. The fragment has been performed in public on one or two occasions, but it is only now that a wider public is given the opportunity to hear it.

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