
Wydawnictwo: Bis
Nr katalogowy: BISSACD 2493
Nośnik: 1 SACD
Data wydania: luty 2021
EAN: 7318599924939
Nr katalogowy: BISSACD 2493
Nośnik: 1 SACD
Data wydania: luty 2021
EAN: 7318599924939
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): angielski (USA), polski, niemiecki
Instrumenty: fortepian
Rodzaj: wariacje
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): angielski (USA), polski, niemiecki
Instrumenty: fortepian
Rodzaj: wariacje

Szymanowski / Copland / Hindemith: Variations
Bis - BISSACD 2493
Kompozytor
Karol Szymanowski (1882-1937)
Aaron Copland (1900-1990)
Paul Hindemith (1895-1963)
Helmut Lachenmann, Harrison Birtwistle, John Adams, Sofia Gubaidulina
Karol Szymanowski (1882-1937)
Aaron Copland (1900-1990)
Paul Hindemith (1895-1963)
Helmut Lachenmann, Harrison Birtwistle, John Adams, Sofia Gubaidulina
Wykonawcy
Clare Hammond, piano
Clare Hammond, piano
Utwory na płycie:
Karol Szymanowski:
Variations on a Polish Theme, Op. 10
Helmut Lachenmann:
5 Variations on a Theme of Franz Schubert
Harrison Birtwistle:
Variations from the Golden Mountain
John Adams:
I Still Play
Aaron Copland:
Piano Variations
Paul Hindemith:
Variations
Sofia Gubaidulina:
Chaconne
Variations on a Polish Theme, Op. 10
Helmut Lachenmann:
5 Variations on a Theme of Franz Schubert
Harrison Birtwistle:
Variations from the Golden Mountain
John Adams:
I Still Play
Aaron Copland:
Piano Variations
Paul Hindemith:
Variations
Sofia Gubaidulina:
Chaconne
For her fifth release on BIS Clare Hammond has constructed an adventurous programme of twentieth and twenty-first-century variations for piano. From the imposing Chaconne by Sofia Gubaidulina, to the tender grief of Paul Hindemith’s variations or Aaron Copland’s bold and uncompromising proclamation, the disc presents a fresh perspective on the genre. Hammond opens with Karol Szymanowski’s Variations on a Polish Theme from 1904, a virtuosic and intensely Romantic outpouring that contrasts strikingly with the wit and irreverence of Helmut Lachenmann’s set on a theme by Schubert. The most recent works in the programme are Harrison Birtwistle’s mercurial elegy and its polar opposite I Still Play, a lyrical waltz composed in 2017 by John Adams.
Described as ‘a star interpreter of contemporary music’ (The Observer), Clare Hammond has developed a reputation for imaginative concert programming. As she herself admits in her liner notes, variation form may on the surface appear to be both limiting and limited, but the works she presents here transcend the form in myriad creative, and at times daring, ways.
Recording: December 2019 at Potton Hall, Westleton, Suffolk, England. Grand Piano: Steinway D
Described as ‘a star interpreter of contemporary music’ (The Observer), Clare Hammond has developed a reputation for imaginative concert programming. As she herself admits in her liner notes, variation form may on the surface appear to be both limiting and limited, but the works she presents here transcend the form in myriad creative, and at times daring, ways.
Recording: December 2019 at Potton Hall, Westleton, Suffolk, England. Grand Piano: Steinway D