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Wydawnictwo: Bis
Nr katalogowy: BISSACD 2530
Nośnik: 1 SACD
Data wydania: październik 2020
EAN: 7318599925301
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Epoka muzyczna: romantyzm
Obszar (język): niemiecki, węgierski
Instrumenty: fortepian
Rodzaj: pieśń, walc

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Liszt / Schubert: Schwanengesang

Bis - BISSACD 2530
Can Çakmur, piano
Nagrody i rekomendacje
Choc de Classica Diapason d'Or klassik heute 10 Joker Crescendo ICMA Award Nomination Music Island Recommends Pizzicato Supersonic
Schwanengesang (Vierzehn Lieder von Franz Schubert, S 560)
Quatre Valses oubliées, S 215
Franz Liszt’s arrangement of Schubert’s Schwanengesang is very much his own work: while it very clearly retains the musical meaning of the original it also provides a vision of Liszt’s understanding of what lies beyond the black dots on paper. In the young Turkish pianist Can Çakmur’s words, Liszt’s ‘songs without words’ are ‘striking, horrifying, grand, intimate, full of life and yet often as pale as death. The marvel of what a single instrument can attain plays an integral role in all these pieces.’

Published posthumously, Schwanengesang is a collection of songs that Schubert may have intended to be grouped together, but if so he never provided a definitive order. In his arrangement, Liszt adopted an order of his own, and Çakmur takes the same liberty, seeking ‘to arrive at a sequence which presents not a storyline but an emotional journey. Liebesbotschaft and Taubenpost constitute the prelude and the conclusion to the cycle: the one focussing on the poet’s promise to return to his lover while the other embraces longing with glistening tears. Longing (Sehnsucht) is the very feeling that drives the cycle, for it carries both hope and disappointment within itself.’

The Liszt arrangement was first published in 1840, twelve years after Schubert’s death, and Çakmur contrasts it here with the much later ‘forgotten’ waltzes, Quatre Valse soubliées. As most of Liszt’s late music they are elusive, and Çakmur describes them as ‘possibly wistful, sardonic or melancholic – or perhaps all at once.’ Winner of the 2018 Hamamatsu International Piano Competition, Can Çakmur released his début disc in 2019, receiving praise for his technical prowess and sensibility alike – qualities that come well in hand for his new Liszt recital.

Recording: January 2020 at Wyastone Concert Hall, Monmouth, UK. Instrumentarium: Shigeru Kawai SK-EX Concert Grand Piano.

Zobacz także:

  • GEN 23813
  • RCD 1057
  • CC 72928
  • RH 025
  • CHAN 20256
  • GEN 23808
  • HC 23013
  • COBRA 0086
  • KTC 1788
  • B 108117