Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72943
Nośnik: 1 SACD
Data wydania: lipiec 2023
EAN: 608917294323
Nr katalogowy: CC 72943
Nośnik: 1 SACD
Data wydania: lipiec 2023
EAN: 608917294323
Nasze kategorie wyszukiwania
Epoka muzyczna: barok
Obszar (język): holenderski, flamandzki
Instrumenty: flet, klawesyn
Rodzaj: sonata
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: barok
Obszar (język): holenderski, flamandzki
Instrumenty: flet, klawesyn
Rodzaj: sonata
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Fesch / Wassenaer / Loeillet: Unico Dutch Recorder Sonatas from the early 18th Century
Challenge Classics - CC 72943
Kompozytor
Willem de Fesch (1687-1757)
Unico Wilhelm van Wassenaer (1692-1766)
Jean-Baptiste Loeillet (1680-1730)
Willem de Fesch (1687-1757)
Unico Wilhelm van Wassenaer (1692-1766)
Jean-Baptiste Loeillet (1680-1730)
Wykonawcy
Teun & Teun:
Teun Wisse, recorder
Teun Braken, harpischord
Teun & Teun:
Teun Wisse, recorder
Teun Braken, harpischord
Utwory na płycie:
- Sonata No. 3 in G Major - III. Larghetto
- Sonata No. 3 in G Major - IV. Gavotta
- Sonata No. 4 à Cimbalo Solo in A Minor
- Sonata Prima in F Major - I. Grave
- Sonata Prima in F Major - II. Allegro
- Sonata Prima in F Major - III. Adagio
- Sonata Prima in F Major - IV. Giga Presto
- Sonata Seconda in G Minor - I. Grave
- Sonata Seconda in G Minor - II. Allegro
- Sonata Seconda in G Minor - III. Adagio
- Sonata No. 3 in G Major - I. Largo
- Sonata Seconda in G Minor - IV. Giga Presto
- Sonata Terza in G Minor - I. Grave
- Sonata Terza in G Minor - II. Allegro
- Sonata Terza in G Minor - III. Sarabanda, Grave
- Sonata Terza in G Minor - IV. Giga Presto
- Sonata No. 3 in G Major - II. Allegro
- Sonata No. 3 in G Major - III. Adagio
- Sonata No. 3 in G Major - IV. Gavotta Allegro
- Sonata No. 1 à Fluto Solo è Basso Continuo. F Major - I. Vivace
- Sonata No. 1 à Fluto Solo è Basso Continuo. F Major - II. Adagio
- Sonata No. 1 à Fluto Solo è Basso Continuo. F Major - III. Allegro
- Sonata No. 3 in G Major - I. Largo
- Sonata No. 3 in G Major - II. Allamanda
Sonata No. 3 in G Major
Sonata No. 1 a Fluto Solo e Basso Continuo. F Major
Sonata No. 3 in G Major
Sonata No. 4 a Cimbalo Solo in A Minor
Sonata Prima in F Major
Sonata Seconda in G Minor
Sonata Terza in G Minor
Sonata No. 1 a Fluto Solo e Basso Continuo. F Major
Sonata No. 3 in G Major
Sonata No. 4 a Cimbalo Solo in A Minor
Sonata Prima in F Major
Sonata Seconda in G Minor
Sonata Terza in G Minor
The Story of Dutch baroque music is a story of cultural connections, of European history. There was not a shortage of music, including repertoire for recorder, in Holland: Amsterdam was not only a center of composition and instrument making, but also one of the most important centers for music publishing. Many of the most esteemed Italian composers had their work published in Amsterdam, making it available there earlier there than in their own country. Dutch composers as well as musicians of the time were thus ironically more ‘close to the source’ than many of their Italian colleagues. The music that was written by Dutch composers was heavily influenced by the Italian style.
Jean Baptiste Loeillet de Gant and his music are exemplary for the strong international character of composition, instrument making, music printing and publishing, and of course musical performance, in which The Netherlands and Amsterdam in particular, played a central role. Sybrant van Noordt is a perfect example of the Italomania. A happy marriage of structural simplicity and richness of detail only achieved by great craftmanship applies the sonata of Willem de Fesch perfectly. Count Unico Wilhelm van Wassenaer is a central figure in this programme in which all three of his Sonatas for recorder and harpsichord are featured. These Sonatas are “almost as good as those of Corelli” – as a French official put it during a journey by Wassenaer to Paris.
Jean Baptiste Loeillet de Gant and his music are exemplary for the strong international character of composition, instrument making, music printing and publishing, and of course musical performance, in which The Netherlands and Amsterdam in particular, played a central role. Sybrant van Noordt is a perfect example of the Italomania. A happy marriage of structural simplicity and richness of detail only achieved by great craftmanship applies the sonata of Willem de Fesch perfectly. Count Unico Wilhelm van Wassenaer is a central figure in this programme in which all three of his Sonatas for recorder and harpsichord are featured. These Sonatas are “almost as good as those of Corelli” – as a French official put it during a journey by Wassenaer to Paris.