Wydawnictwo: Hyperion
Nr katalogowy: CDA 67996
Nośnik: 1 CD
Data wydania: marzec 2014
EAN: 34571179964
Nr katalogowy: CDA 67996
Nośnik: 1 CD
Data wydania: marzec 2014
EAN: 34571179964
Chopin / Beethoven / Schumann: Stephen Hough In the Night
Hyperion - CDA 67996
Kompozytor
Fryderyk Chopin (1810-1849)
Ludwig van Beethoven (1770-1827)
Robert Schumann (1810-1856)
Stephen Hough
Fryderyk Chopin (1810-1849)
Ludwig van Beethoven (1770-1827)
Robert Schumann (1810-1856)
Stephen Hough
Wykonawcy
Stephen Hough, piano
Stephen Hough, piano
Utwory na płycie:
- Schumann: Fantasiestücke, Op. 15 - Book 2 #1 In Der Nacht
- Beethoven: Piano Sonata In C Sharp Minor, Op. 27/2, 'Moonlight' - 1. Adagio Sostenuto
- Beethoven: Piano Sonata In C Sharp Minor, Op. 27/2, 'Moonlight' - 2. Allegretto
- Beethoven: Piano Sonata In C Sharp Minor, Op. 27/2, 'Moonlight' - 3. Presto Agitato
- Chopin: Nocturne In C Sharp Minor, Op. 27/1
- Chopin: Nocturne In D Flat, Op. 27/2
- Hough: Piano Sonata #2, 'Notturno Luminoso'
- Schumann: Carnaval, Op. 9 - #01 Préambule: Quasi Maestoso
- Schumann: Carnaval, Op. 9 - #02 Pierrot: Moderato
- Schumann: Carnaval, Op. 9 - #03 Arlequin: Vivo
- Schumann: Carnaval, Op. 9 - #04 Valse Noble: Un Poco Maestoso
- Schumann: Carnaval, Op. 9 - #05 Eusebius: Adagio
- Schumann: Carnaval, Op. 9 - #06 Florestan: Passionato
- Schumann: Carnaval, Op. 9 - #07 Coquette: Vivo
- Schumann: Carnaval, Op. 9 - #08 Réplique: L'Istesso Tempo: Sphinxes
- Schumann: Carnaval, Op. 9 - #09 Papillons: Prestissimo
- Schumann: Carnaval, Op. 9 - #10 ASCH-SCHA (Lettres Dansantes): Presto
- Schumann: Carnaval, Op. 9 - #11 Chiarina: Passionato
- Schumann: Carnaval, Op. 9 - #12 Chopin: Agitato
- Schumann: Carnaval, Op. 9 - #13 Estrella: Con Affetto
- Schumann: Carnaval, Op. 9 - #14 Reconnaissance: Animato
- Schumann: Carnaval, Op. 9 - #15 Pantalon & Colombine: Presto
- Schumann: Carnaval, Op. 9 - #16 Valse Allemande: Molto Vivace
- Schumann: Carnaval, Op. 9 - #17 Paganini (Intermezzo): Presto
- Schumann: Carnaval, Op. 9 - #18 Aveu: Passionato
- Schumann: Carnaval, Op. 9 - #19 Promenade: Comodo
- Schumann: Carnaval, Op. 9 - #20 Pause: Vivo
- Schumann: Carnaval, Op. 9 - #21 Marche Des Davidsbündler Contre Les Philistins: Non Allegro
Chopin:
Nocturnes
Beethoven:
Piano Sonata Moonlight
Schumann:
Carnaval
In der Nacht
Nocturnes
Beethoven:
Piano Sonata Moonlight
Schumann:
Carnaval
In der Nacht
This latest recital album by ‘the thinking person’s virtuoso: an extraordinary pianist’ (The New York Times) takes the listener on a journey through that most intense and absorbing of nineteenth-century obsessions, the night. The Romantic night was one without sleep; where experiences are mutated through darkness. Stephen Hough’s thoughtful programming creates a new aural sphere for some of the most celebrated piano works in the repertoire. Hough begins with Schumann’s troubled, reeling ‘In der Nacht’ from Fantasiestücke, and continues with Beethoven’s ‘Moonlight’ Sonata and Chopin’s two Op 27 Nocturnes. With Schumann’s Carnaval we eavesdrop on one of the most vibrant parties in the nineteenth-century piano literature, with its panoply of brilliantly etched character sketches depicting both real people such as Chopin and Paganini and imaginary ones. Each movement is vividly contrasted; there are moments of unbridled ecstasy, elegant poise and elusive subtlety.
Also included is Stephen Hough’s own Piano Sonata No 2 ‘notturno luminoso’, which he describes as ‘about a different kind of night … the brightness of a brash city in the hours of darkness; the loneliness of pre-morning; sleeplessness and the dull glow of the alarm clock’s unmoving hours; the irrational fears which are only darkened by the harsh glare of a suspended, dusty light bulb. But also suggested are night-time’s heightened emotions: its mysticism, its magic, its imaginative possibilities.’
Also included is Stephen Hough’s own Piano Sonata No 2 ‘notturno luminoso’, which he describes as ‘about a different kind of night … the brightness of a brash city in the hours of darkness; the loneliness of pre-morning; sleeplessness and the dull glow of the alarm clock’s unmoving hours; the irrational fears which are only darkened by the harsh glare of a suspended, dusty light bulb. But also suggested are night-time’s heightened emotions: its mysticism, its magic, its imaginative possibilities.’