
Wydawnictwo: Hyperion
Seria: Romantic Cello Concertos
Nr katalogowy: CDA 68002
Nośnik: 1 CD
Data wydania: lipiec 2014
EAN: 34571280028
Seria: Romantic Cello Concertos
Nr katalogowy: CDA 68002
Nośnik: 1 CD
Data wydania: lipiec 2014
EAN: 34571280028
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm
Obszar (język): francuski
Instrumenty: wiolonczela
Rodzaj: koncert
Epoka muzyczna: romantyzm
Obszar (język): francuski
Instrumenty: wiolonczela
Rodzaj: koncert
Saint-Saens: The Romantic Cello Concerto Volume 5
Hyperion - CDA 68002
Kompozytor
Camille Saint-Saens (1835-1921)
Camille Saint-Saens (1835-1921)
Utwory na płycie:
Saint-Saëns: Cello Concerto #1 In A Minor, Op. 33 - 1. Allegro Non Troppo
Saint-Saëns: Cello Concerto #1 In A Minor, Op. 33 - 2. Allegretto Con Moto
Saint-Saëns: Cello Concerto #1 In A Minor, Op. 33 - 3. Tempo Primo
Saint-Saëns: Cello Concerto #2 In D Minor, Op. 119 - 1. Allegro Moderato & Maestoso: Andante Sostenuto
Saint-Saëns: Cello Concerto #2 In D Minor, Op. 119 - 2. Allegro Non Troppo: Cadenza: Tempo 1: Molto Allegro
Saint-Saëns: La Muse & Le Poète, Op. 132
Saint-Saëns: Allegro Appassionato, Op. 43
Saint-Saëns: Le Carnaval Des Animaux - #13 Le Cygne
Cello Concerto No 1 in A minor Op 33
Cello Concerto No 2 in D minor Op 119
La muse et le poete Op 132
Allegro appassionato Op 43
Le cygne
Cello Concerto No 2 in D minor Op 119
La muse et le poete Op 132
Allegro appassionato Op 43
Le cygne
Natalie Clein adds a remarkable collection of Saint-Saëns’ music for cello and orchestra to her impressive discography. Clein ?rst came to prominence when she won the BBC Young Musician of the Year award in 1994; it is appropriate that she performs the music of an extraordinary child prodigy.
The first cello concerto has always been one of Saint-Saëns’ most popular pieces, Casals choosing it for his London debut in 1905. It is a gloriously playful piece that carries the listener along on a melodic and emotional rollercoaster, from the jaunty opening to the eloquence of the second movement minuet, with a persistent yearning threading its way throughout. The second concerto will be less familiar to listeners. The soloist for whom it was written, Joseph Hollman, was an energetic, muscular player and Saint-Saëns seems here to turn his back on the suave style of the first concerto. When Saint-Saëns’ pupil and friend Gabriel Fauré chose the concerto as a Conservatoire test piece, the composer was duly grateful, but admitted ‘it will never be as well known as the first; it’s too difficult’. This it certainly is, with many solo passages, huge leaps and runs that require two staves to accommodate them, and a large amount of doublestopping. Natalie Clein meets these challenges with marvellous technique, musicianship and the passion for which she has become so well known.
The first cello concerto has always been one of Saint-Saëns’ most popular pieces, Casals choosing it for his London debut in 1905. It is a gloriously playful piece that carries the listener along on a melodic and emotional rollercoaster, from the jaunty opening to the eloquence of the second movement minuet, with a persistent yearning threading its way throughout. The second concerto will be less familiar to listeners. The soloist for whom it was written, Joseph Hollman, was an energetic, muscular player and Saint-Saëns seems here to turn his back on the suave style of the first concerto. When Saint-Saëns’ pupil and friend Gabriel Fauré chose the concerto as a Conservatoire test piece, the composer was duly grateful, but admitted ‘it will never be as well known as the first; it’s too difficult’. This it certainly is, with many solo passages, huge leaps and runs that require two staves to accommodate them, and a large amount of doublestopping. Natalie Clein meets these challenges with marvellous technique, musicianship and the passion for which she has become so well known.