Utwory na płycie:

• CD01 TK 01 Franz Joseph Haydn Sonata No 29 (Hob XVI 45) Moderato
• CD01 TK 02 Franz Joseph Haydn Sonata No 29 (Hob XVI 45) Andante
• CD01 TK 03 Franz Joseph Haydn Sonata No 29 (Hob XVI 45) Finale Allegro di molto Adagio
• CD01 TK 04 Franz Joseph Haydn Sonata No 33 (Hob XVI 20) Moderato (Allegro moderato) Adagio Tempo I Adagio Tempo I
• CD01 TK 05 Franz Joseph Haydn Sonata No 33 (Hob XVI 20) Andante con moto
• CD01 TK 06 Franz Joseph Haydn Sonata No 33 (Hob XVI 20) Finale Allegro
• CD01 TK 07 Franz Joseph Haydn Sonata No 42 (Hob XVI 27) Allegro con brio
• CD01 TK 08 Franz Joseph Haydn Sonata No 42 (Hob XVI 27) Menuet Trio Menuet da capo
• CD01 TK 09 Franz Joseph Haydn Sonata No 42 (Hob XVI 27) Finale Presto
• CD01 TK 10 Franz Joseph Haydn Sonata No 16 (Hob XVI 14) Allegro moderato
• CD01 TK 11 Franz Joseph Haydn Sonata No 16 (Hob XVI 14) Menuet Trio (Minore) Menuet da capo
• CD01 TK 12 Franz Joseph Haydn Sonata No 16 (Hob XVI 14) Allegro (Presto)

Sonata in D major, No. 16
Sonata in E flat major, No. 29
Sonata in C minor, No. 33
Sonata in G major, No. 42

The multi-award-winning pianist Jean-Efflam Bavouzet continues his great survey of Haydn’s piano sonatas. This is Volume 3 in a series, of which The Times wrote: ‘Who is the best composer for refreshing the spirit and making you laugh? Haydn, of course, especially when in the hands of a pianist like Bavouzet, another master of delight.’ In the words of Bavouzet himself: ‘Each volume of this ambitious, extended project will arrive over the years like a postcard, dispatched during my travels with scant respect for chronological considerations, but undertaken with the greatest passion for trying to convey as vividly as possible to twenty-first-century ears the boundless treasures of this sublime music.’ He also notes: ‘We often forget how little information Haydn left us in the scores of his keyboard works: few indications of dynamics or of phrasing, and the briefest guides to tempo. This task is never anything other than absolutely fascinating, but for the performer it is also testing, and even risky. He must, even more than usual, create his own world, his own logic, left only to hope that, in the absence of tangible evidence, he will not distance himself too far from the composer’s intentions, which remain forever unknowable.’

For the recording of this series, Bavouzet brought in a specially selected Yamaha piano which he feels gives the sort of tonal quality he is looking for, and once again this shows in a programme, which here presents the large-scale Sonata in C minor alongside sonatas of a lighter and sunnier character.