Wydawnictwo: Chandos
Nr katalogowy: CHAN 10735
Nośnik: 1 CD
Data wydania: sierpień 2012
EAN: 95115173527
Nr katalogowy: CHAN 10735
Nośnik: 1 CD
Data wydania: sierpień 2012
EAN: 95115173527
Montsalvatge: Orchestral Works
Chandos - CHAN 10735
Kompozytor
Montsalvatge (1912-2002)
Montsalvatge (1912-2002)
Nagrody i rekomendacje
Utwory na płycie:
Partita 1958 - Fanfare Avec allegresse et dureté- Partita 1958 - Sarabande Délicat - Plus animé - Tempo I - Tempo I
- Partita 1958 - Intermezzo Passioné - Plus calme - Tempo I
- Partita 1958 - Final Entraînant - Solennel
- Cinco Canciones Negras - Cuba dentro de un piano (Cuba in a piano) Lento - Rubato - Lento - Rubato - Lento -
- Cinco Canciones Negras - Punto de Habanera (Habanera rhythm) Tempo di guajiras - A tempo - Coda a tempo
- Cinco Canciones Negras - Chévere (The dandy) Lentissimo
- Cinco Canciones Negras - Canción de Cuna para Dormir a un Negrito (Lullaby for a little black boy) Lento
- Cinco Canciones Negras - Canto Negro (Negro song) Leggiero
- Calidoscopi simfonic- Op 61 - Introducció Moderato
- Calidoscopi simfonic- Op 61 - Ronda i Pantomima Allegretto mosso - Meno mosso - Poco più (come prima)
- Calidoscopi simfonic- Op 61 - Cànon i Havanera Allegretto deciso - Meno mosso - Semplice - Tempo dhavanera
- Calidoscopi simfonic- Op 61 - Final a la Indiana Andante ritmico - Poco meno - Tempo I
- Simfonia de Requiem - Introitus Andante moderato - Poco più sostenuto - Tempo I (Andante moderato)
- Simfonia de Requiem - Kyrie Andante doloroso
- Simfonia de Requiem - Dies irae Allegretto con brio - Poco meno mosso - Moderato ritenuto - Tempo I (Allegretto con brio)
- Simfonia de Requiem - Agnus Dei Adagietto
- Simfonia de Requiem - Lux æterna Andante moderato
- Simfonia de Requiem - Libera me Domine Moderato solenne- molto tenuto
Partita 1958
Simfonia de Requiem+
Cinco Canciones Negras*
Calidoscopi simfonic
Simfonia de Requiem+
Cinco Canciones Negras*
Calidoscopi simfonic
This disc of orchestral works marks the centenary in 2012 of the birth of the Catalan composer Xavier Montsalvatge. It is released as part of our Spanish music series, conducted by Juanjo Mena, a fellow Catalan national and Chief Conductor of the BBC Philharmonic.
Montsalvatge was one on the most influential musical figures in Catalan music during the latter half of the twentieth century. He explored virtually every musical form, but many of his most significant works, including Cinco Canciones Negras (Five Negro Songs), were written after his discovery of the art of the Antilles. He was fascinated by West Indian music, which, as he wrote, ‘was itself originally Spanish, exported to the Caribbean, and then reimported’. In Cinco Canciones Negras for mezzo-soprano and orchestra he set a varied collection of poems from the Caribbean and Spain, adopting the captivating rhythms of the West Indies. ‘Canción de Cuna para Dormira a un Negrito’ can only be described as one of the tenderest lullabies in the repertoire, presenting a vivid contrast to the exhilarating display of rumba-like rhythms in ‘Canto Negro’.
Partita 1958, which, in the words of Montsalvatge, is ‘not entirely unrelated to classicism’, is strongly inspired by the works of Darius Milhaud, who had discovered the intoxicating rhythms of Latin-American music during the First World War, and had introduced them into his own compositions to sensational effect in the 1920s.
Calidoscopi simfonic derives from an early, unfinished ballet, El Angel de la Guarda (The Guardian Angel). The impressionistically evocative introduction is irresistible evidence of Montsalvatge’s genius as a ballet composer, while the finale is an uninhibited celebration of primitive rhythms with thudding percussion, snarling trombones, uproarious trumpets, and, in the slower middle section, a characteristically melodious cor anglais.
Montsalvatge was one on the most influential musical figures in Catalan music during the latter half of the twentieth century. He explored virtually every musical form, but many of his most significant works, including Cinco Canciones Negras (Five Negro Songs), were written after his discovery of the art of the Antilles. He was fascinated by West Indian music, which, as he wrote, ‘was itself originally Spanish, exported to the Caribbean, and then reimported’. In Cinco Canciones Negras for mezzo-soprano and orchestra he set a varied collection of poems from the Caribbean and Spain, adopting the captivating rhythms of the West Indies. ‘Canción de Cuna para Dormira a un Negrito’ can only be described as one of the tenderest lullabies in the repertoire, presenting a vivid contrast to the exhilarating display of rumba-like rhythms in ‘Canto Negro’.
Partita 1958, which, in the words of Montsalvatge, is ‘not entirely unrelated to classicism’, is strongly inspired by the works of Darius Milhaud, who had discovered the intoxicating rhythms of Latin-American music during the First World War, and had introduced them into his own compositions to sensational effect in the 1920s.
Calidoscopi simfonic derives from an early, unfinished ballet, El Angel de la Guarda (The Guardian Angel). The impressionistically evocative introduction is irresistible evidence of Montsalvatge’s genius as a ballet composer, while the finale is an uninhibited celebration of primitive rhythms with thudding percussion, snarling trombones, uproarious trumpets, and, in the slower middle section, a characteristically melodious cor anglais.
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