Wydawnictwo: Chandos
Seria: La Musica De Espana
Nr katalogowy: CHAN 20077
Nośnik: 1 CD
Data wydania: luty 2019
EAN: 95115207727
Seria: La Musica De Espana
Nr katalogowy: CHAN 20077
Nośnik: 1 CD
Data wydania: luty 2019
EAN: 95115207727
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm
Obszar (język): hiszpański
Rodzaj: symfonia, uwertura, kantata
Epoka muzyczna: romantyzm
Obszar (język): hiszpański
Rodzaj: symfonia, uwertura, kantata
Arriaga: Symphony, Herminie & other works
Chandos - CHAN 20077
Kompozytor
Juan Crisostomo Arriaga (1806-1826)
Juan Crisostomo Arriaga (1806-1826)
Utwory na płycie:
Overture to ‘Los esclavos felices’ - Second version, Paris, Opera semiseria in two acts
Herminie - Cantata for Soprano and Orchestra
Overture in D major, Op. 20
Air de l’Opéra Médée (‘Hymen! viens dissiper une vaine frayeur’) - Aria for Soprano and Orchestra
Symphonie a grand orchestre in D minor
Herminie - Cantata for Soprano and Orchestra
Overture in D major, Op. 20
Air de l’Opéra Médée (‘Hymen! viens dissiper une vaine frayeur’) - Aria for Soprano and Orchestra
Symphonie a grand orchestre in D minor
The Spanish music specialist and former Chief Conductor of the BBC Philharmonic, Juanjo Mena, continues the series ‘La Música de Espana’, which has seen the recording of orchestral works by de Falla, Turina, and Albéniz, with another important Spanish composer: Juan Crisóstomo de Arriaga, known for years after his early death as the ‘Spanish Mozart’.
The orchestral overture to Los esclavos felices (The Happy Slaves) is all that survives of an opera which the child prodigy Arriaga wrote aged fourteen. When Arriaga moved to Paris in 1821 to study under Fétis, Guérin, and Baillot, he revised the overture, making changes to the instrumentation and removing a third theme. It is the revised version which is heard on this recording.
Air de l’Opéra Médée and Herminie are included in the largely autograph volume ‘Ensayos lírico-dramáticos’ (Lyric-dramatic Essays), and here feature one of Scandinavia’s most sought-after concert singers, the soprano Berit Norbakken Solset. Tonally ambiguous, the D minor Symphonie a grand orchestre, which begins and ends in D major, and the Overture, Op. 20, in D major, which was written ‘without having learnt the principles of harmony’, are proof that the death of Arriaga at age nineteen was a ‘sad loss to Basque music’.
Recording: MediaCityUK, Salford, Manchester; 15 and 16 March 2018
The orchestral overture to Los esclavos felices (The Happy Slaves) is all that survives of an opera which the child prodigy Arriaga wrote aged fourteen. When Arriaga moved to Paris in 1821 to study under Fétis, Guérin, and Baillot, he revised the overture, making changes to the instrumentation and removing a third theme. It is the revised version which is heard on this recording.
Air de l’Opéra Médée and Herminie are included in the largely autograph volume ‘Ensayos lírico-dramáticos’ (Lyric-dramatic Essays), and here feature one of Scandinavia’s most sought-after concert singers, the soprano Berit Norbakken Solset. Tonally ambiguous, the D minor Symphonie a grand orchestre, which begins and ends in D major, and the Overture, Op. 20, in D major, which was written ‘without having learnt the principles of harmony’, are proof that the death of Arriaga at age nineteen was a ‘sad loss to Basque music’.
Recording: MediaCityUK, Salford, Manchester; 15 and 16 March 2018