
Wydawnictwo: Chandos
Nr katalogowy: CHAN 20275
Nośnik: 1 CD
Data wydania: styczeń 2024
EAN: 95115227527
Nr katalogowy: CHAN 20275
Nośnik: 1 CD
Data wydania: styczeń 2024
EAN: 95115227527
Faure / Bonis / Hahn: Le Temps retrouvé
Chandos - CHAN 20275
Wykonawcy
Elena Urioste, violin
Tom Poster, piano
Elena Urioste, violin
Tom Poster, piano
Utwory na płycie:
Bonis - Sonata Op.112 - Moderato
Bonis - Sonata Op.112 - Presto - Stretto
Bonis - Sonata Op.112 - Theme populaire grec recueilli par Bourgeault-Ducoudray.
Bonis - Sonata Op.112 - Final. Con moto - Poco lento - Pressez -
Faure - Sonata No.2 Op.108 - Allegro non troppo
Faure - Sonata No.2 Op.108 - Andante
Faure - Sonata No.2 Op.108 - Final. Allegro non troppo
Hahn - Sonata (1926) - Sans lenteur tendrement - Calme - Moins anime -
Hahn - Sonata (1926) - (12 C.V. 8 Cyl. 5000 tours) Veloce
Hahn - Sonata (1926) - Modere tres a laise au gre de linterprete -
Boulanger - Nocturne (1911) - Nocturne (1911)
Fauré:
Violin Sonata No. 2 in E minor, Op. 108
Bonis:
Violin Sonata in F sharp minor, Op. 112
Hahn:
Violin Sonata in C major
Boulanger:
Nocturne
Violin Sonata No. 2 in E minor, Op. 108
Bonis:
Violin Sonata in F sharp minor, Op. 112
Hahn:
Violin Sonata in C major
Boulanger:
Nocturne
Elena Urioste and Tom Poster return for their second recital on Chandos, focussing on French repertoire. The performers write: ‘The three sonatas on this album were all published during the decade 1916 – 26, a musical period to which we often find ourselves drawn, when the world – and the artistic landscape – was changing beyond recognition. Fauré lamented to his wife that his Second Sonata, composed under the shadow of the First World War, had never achieved anything like the popularity of his First; having fallen under the Second Sonata’s spell, we wanted to help to right this continuing imbalance. Mel Bonis, whose life story reads like the plot of a Hollywood film, wrote more than 300 pieces, and all those we have explored so far have been wonderful (she is our hot tip for the next composer due a major renaissance). Her only violin sonata is a rhapsodic work with a Greek folk melody at its heart, which we were enraptured by the moment we encountered it. Reynaldo Hahn is generally better known to singers than to instrumentalists, though his chamber music is as exquisite as his songs. His Violin Sonata was the last work on this album to be composed, but where Fauré in his Sonata looks forward to modernist developments, Hahn (with the exception of his short middle movement, inspired by a fast car ride!) looks back nostalgically to a gentler time. The earliest of the works here, and possibly the most often heard these days, is the Nocturne by Lili Boulanger, an exquisite miniature from a composer whose life ended far too soon.’