
Wydawnictwo: Chandos
Nr katalogowy: CHAN 20276
Nośnik: 1 CD
Data wydania: wrzesień 2023
EAN: 95115227626
Nr katalogowy: CHAN 20276
Nośnik: 1 CD
Data wydania: wrzesień 2023
EAN: 95115227626
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): hiszpański
Instrumenty: fortepian
Rodzaj: wariacje
Epoka muzyczna: 20 wiek do 1960
Obszar (język): hiszpański
Instrumenty: fortepian
Rodzaj: wariacje
Mompou: Piano Works
Chandos - CHAN 20276
Kompozytor
Federico Mompou (1893-1987)
Federico Mompou (1893-1987)
Wykonawcy
Marina Staneva, piano
Marina Staneva, piano
Utwory na płycie:
Mompou - Paisajes - La fuente y la campana (La Fontaine et la cloche)
Mompou - Paisajes - El Lago (Le Lac) (The Lake) (1947). A Carmen Bravo.
Mompou - Paisajes - Carros de Galicia (Carts of Galicia) (1960). A Antonio Iglesias.
Mompou - Variations sur un theme de Chopin - Theme. Andantino -
Mompou - Variations sur un theme de Chopin - Variation I. Tranquillo e molto amabile -
Mompou - Variations sur un theme de Chopin - Variation II. Gracioso -
Mompou - Variations sur un theme de Chopin - Variation III para la mano izquierda / pour la main gauche. Lento -
Mompou - Variations sur un theme de Chopin - Variation IV. Espressivo - Poco piu mosso -
Mompou - Variations sur un theme de Chopin - Variation V. Tempo di Mazurka -
Mompou - Variations sur un theme de Chopin - Variation VI. Recitativo - Lento -
Mompou - Variations sur un theme de Chopin - Variation VII. Allegro leggiero -
Mompou - Variations sur un theme de Chopin - Variation VIII. Andante dolce e espressivo -
Mompou - Variations sur un theme de Chopin - Variation IX. Valse -
Mompou - Variations sur un theme de Chopin - Variation X. Evocation. Cantabile molto espressive - Tranquillo -
Mompou - Variations sur un theme de Chopin - Variation XI. Lento dolce e legato - Poco piu mosso sforzando -
Mompou - Variations sur un theme de Chopin - Variation XII. Galope y Epilogo. [ ] - A tempo ma piu dolce -
Mompou - Cancons i danses - (1921) Quasi moderato - Allegro non troppo - Decisio - Poco meno
Mompou - Cancons i danses - (1918-24) Lento - Molto amabile - Espressivo
Mompou - Cancons i danses - (1926) A Frank Marshall. Modere - Sardana temps de marche
Mompou - Cancons i danses - (1928) A madame le Princesse Bassiano. Moderat -
Mompou - Cancons i danses - (1942) Lento liturgico - Danza (senza rigore) -
Mompou - Cancons i danses - (1942) A Arthue Rubinstein. Cantabile espressivo -
Mompou - Cancons i danses - (1944) Lento - Danza (Crotchet = 160) - Meno mosso
Mompou - Cancons i danses - (1946) Moderato cantabile con sentimento - Danza (Crotchet = 160)
Mompou - Cancons i danses - (1948) A Gonzalo Soriano. Cantabile espressive - Allegro
Mompou - Cancons i danses - (1953) Sobre dos Cantigas del Rey Alfonso X (Siglo XII).
Mompou - Cancons i danses - (1961) A Rafael Puyana. Lent et majestueux - Allegro moderato -
Mompou - Cancons i danses - (1962) A la memoire de Leon Fargue. Molto cantabile -
Jeunes Filles au Jardin
Mompou:
Paisajes (1942-60)
Variations sur un theme de Chopin (1938-57)
Cançons i danses (1921-62)
Paisajes (1942-60)
Variations sur un theme de Chopin (1938-57)
Cançons i danses (1921-62)
Following her acclaimed début recital, Marina Staneva returns with a programme of works by the Spanish-Catalan composer Federico Mompou. The programme opens with Paisajes (Landscapes), written in 1942, 1947, and 1960. The first two pieces are dedicated to the Catalan pianist Carmen Bravo, whom Mompou met after his return from Paris to Barcelona in 1942, and subsequently married. Mompou’s Variations on a Theme of Chopin were started in 1938, but completed in 1957 upon a commission from the Royal Ballet in London for a successor to The House of Birds (a 1955 ballet which used piano pieces by Mompou orchestrated by John Lanchbery). The Chopin ballet was never produced, but the piano variations remain. The twelve Cançons i danses (Songs and Dances) were composed between 1921 and 1962, and the form for each is broadly similar: a slow ‘cançó’ (song) followed by a more animated ‘dansa’ (dance), but the pattern sometimes varies, and these pieces are anything but formulaic. Mompou intended to provide ‘a contrast between lyricism and rhythm, to avoid one collection of songs and another of dances’.