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chsa5147
Wydawnictwo: Chandos
Nr katalogowy: CHSA 5147
Nośnik: 1 SACD
Data wydania: luty 2015
EAN: 95115514726
60,00zł
w magazynie
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Epoka muzyczna: 20 wiek do 1960
Obszar (język): rosyjski
Instrumenty: fortepian
Rodzaj: koncert

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Stravinsky: Works for piano and orchestra

Chandos - CHSA 5147
Wykonawcy
Jean-Efflam Bavouzet, piano
Sao Paulo Symphony Orchestra / Yan Pascal Tortelier
Nagrody i rekomendacje
 
ICMA Award Nomination Fono Forum 5 Limelight Joker Crescendo Music Island CD of the Month
 
Utwory na płycie:
Concerto for Piano and Wind Orchestra
Capriccio
Movements
Pétrouchka
After having won the Gramophone Award in 2014 for his recording of Prokofiev’s five piano concertos, exclusive Chandos artist Jean-Efflam Bavouzet here explores the complete works for piano and orchestra of another Russian composer of the twentieth century: Igor Stravinsky. Bartók’s Piano Concerto No. 2, Ravel’s Piano Concerto for the left hand, and Stravinsky’s Concerto for Piano and Wind Orchestra make good company. First, Bavouzet considers them ‘the greatest concertos of the twentieth century’. Furthermore, he has recorded all of them with Chandos. Last, but not least, his recordings of both Bartók’s (CHAN 10610) and Ravel’s (CHSA 5084) were shortlisted for Gramophone Awards in 2011 (‘Concerto’ category). The winner? The latter, which marked the first collaboration between Jean-Efflam Bavouzet and Yan Pascal Tortelier, one that is resumed on the present album. It starts with the crisp games with rhythms, polyphony, and classical form of the expressive, weighty Concerto for Piano and Wind Orchestra. Then the Capriccio is a piece that Stravinsky composed as a repertoire alternative to his concerto; he performed it more than forty times in the first four years after its creation. The anti-tonal, twelve-tone idiom of Movements represents Stravinsky’s experiments in the use of serial techniques. Pétrouchka is a work for piano and orchestra as well, except that the piano here is not a solo instrument but rather part of the orchestral fabric. Moreover, Bavouzet himself has described blending in with the fortissimos of the orchestra as ‘one of the best musical experiences of my life’.

Zobacz także:

  • CDA 68189
  • OC 1888
  • ACD 22684
  • SIGCD 497
  • COV 91720
  • SIGCD 540
  • WER 73472
  • AUDITE 23440
  • COR 16151
  • C 850113