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Wydawnictwo: Chandos
Nr katalogowy: CHSA 5276
Nośnik: 1 SACD
Data wydania: lipiec 2020
EAN: 95115527627
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Epoka muzyczna: współczesna
Obszar (język): włoski
Rodzaj: opera

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Dallapiccola: Il prigioniero (Choral Works)

Chandos - CHSA 5276
La Madre - Anna Maria Chiuri, mezzo-soprano
Il prigioniero - Michael Nagy, baritone
Il carceriere, Il grande inquisitore - Stephan Rügamer, tenor
Primo sacerdote - Adam Riis, tenor
Secondo sacerdote - Steffen Bruun, bass
Danish National Concert Choir
Danish National Symphony Orchestra / Gianandrea Noseda
Nagrody i rekomendacje
Gramophone Awards Limelight Gramophone Editor's Choice MusicWeb Recording of the Month BBC Music 5 stars Presto Disc of the Week
Il prigioniero:
A Prologue and One Act
Libretto by Luigi Dallapiccola after ‘La Torture par l’espérance’ by Count Villiers de L’Isle-Adam (1838 – 1889) and ‘La Légende d’Ulenspiegel et de Lamme Goedzak’ by Charles De Coster (1827 – 1879)

Prima Serie dei Cori di Michelangelo Buonarroti il Giovane (First Series of the Choruses of Michelangelo Buonarroti the Younger)
Estate (Summer) - Frammento di Alceo (Fragment by Alcaeus)
Gianandrea Noseda continues his series of recordings of the works of Luigi Dallapiccola, this time with his Danish forces. Seen by many as Dallapiccola’s masterpiece, Il prigioniero (The Prisoner) is a one-act opera composed in the late 1940s, and premiered (in a radio broadcast) in 1949. The Italian composer had first encountered serialism as a student in Florence in the 1920s, when Schoenberg visited to conduct Pierrot lunaire. The influence was profound, although it would take two decades before it demonstrated itself fully in his composition.

Based primarily on a short story, ‘La Torture par l’espérance’ (Torture by Hope), by the French writer Villiers de L’Isle-Adam, the opera concerns a prisoner of the Spanish Inquisition who finds the door of his cell unlocked and creeps out under the cover of darkness to the garden beyond. Hope rises to the level of ecstasy, before he finds himself embraced in the Garden by the Inquisitor, who returns him to his cell. Dallapiccola employs three twelve-note tone rows in the work, which he named ‘Prayer’, ‘Hope’, and ‘Freedom’, from which all the vocal lines are created. The album is completed by three choral works: Estate, written in 1932 for male chorus, and two settings from 1933 of poems by Michelangelo Buonarroti the Younger for mixed voice chorus.

Recording: Koncertsalen, DR Koncerthuset, Copenhagen, Denmark; 20 and 21 September 2019

Zobacz także:

  • DCD 34020
  • GEN 17468
  • CHAN 10561
  • OR 0036
  • UMFCCD 184-185
  • 0022010KAI
  • PAS 1144
  • GEN 24866
  • ACC 24402
  • ACD 22411