Utwory na płycie:

• Haas - Qiutet Op.10 - Preludio. Andante ma vivace
• Haas - Qiutet Op.10 - Preghiera. Misterioso e triste - Tempo rubato -
• Haas - Qiutet Op.10 - Ballo eccentrico. Ritmo marcato - Un poco piu vivace -
• Haas - Qiutet Op.10 - Epilogo. Maestoso - Quasi pastorale - Molto energico e vivace - Maestoso
• Reicha - Quintet Op.88 No.2 - Lento - Allegro moderato
• Reicha - Quintet Op.88 No.2 - Menuetto. Allegro - Trio I - Menuetto da capo - Trio II et Coda
• Reicha - Quintet Op.88 No.2 - Poco andante. Grazioso
• Reicha - Quintet Op.88 No.2 - Finale. Allegretto
• Janacek - Mladi JW VII/10 * - Allegro [Andante] - Meno mosso - Tempo I -
• Janacek - Mladi JW VII/10 * - Andante sostenuto [Moderato] - Piu mosso -
• Janacek - Mladi JW VII/10 * - Vivace [Allegro] - Meno mosso - Tempo I (Vivace) - Meno mosso -
• Janacek - Mladi JW VII/10 * - Allegro animato [Con moto] - Meno mosso - Piu mosso -
• Martinu - Sextet H 174 * - Prelude. Poco andante - Poco allegro - Poco vivo - Meno -
• Martinu - Sextet H 174 * - Adagio
• Martinu - Sextet H 174 * - Scherzo (Divertimento I). Allegro vivo
• Martinu - Sextet H 174 * - Blues (Divertimento II). Crotchet = 72
• Martinu - Sextet H 174 * - Finale. Crotchet = 120 - Poco vivo - Poco piu vivo - Piu vivo -

Leos Janacek:
Mládí
Pavel Haas:
Wind Quintet, Op. 10
Bohuslav Martinu:
Sextet for wind and piano in E flat major, H 174
Antoine Reicha:
Quintet for Wind Instruments in E flat major, Op. 88 No. 2

Following their début album, Belle Époque, the Orsino Ensemble turns its attention to music from Bohemia. There is a strong tradition of Czech wind playing, and hence a wealth of great repertoire on which to draw. Antoine Reicha was a contemporary (and friend) of Beethoven. His E flat Quintet, published in 1817, demonstrates his harmonic ingenuity and talent for idiomatic instrumental writing. Mládí, described by Janáček as ‘…a sort of memoir of youth’, was composed in 1924 in celebration of the composer’s own seventieth birthday, and the mood of the piece is optimistic throughout. Born in Brno, Pavel Haas studied at the city’s conservatory, under Janáček – indeed Haas is widely considered to be Janáček’s greatest pupil. Composed in 1929, the Wind Quintet typifies his quirky musical imagination and affinity for instrumental timbre. Bohuslav Martinů came from the small town of Polička, on the Czech-Moravian border, but received his early musical education in Prague, where he also played second violin in the Czech Philharmonic. A government scholarship enabled him to move to Paris in the early 1920s to study with Roussel. Martinů immersed himself in Parisian musical life, the works of Stravinsky and the Jazz scene proving two considerable influences on his own compositions. His Sextet for Wind and Piano is considered one of his most successful Jazz-inspired pieces and, although an early work, demonstrates the natural melodic style so typical of his later works.