koszyk0 sztuk  
user Zaloguj
cov92001
Back cover pokaż tył okładki

Wydawnictwo: Coviello Classics
Nr katalogowy: COV 92001
Nośnik: 1 CD
Data wydania: luty 2020
EAN: 4039956920014
54,00zł
w magazynie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: romantyzm, klasycyzm
Obszar (język): niemiecki
Instrumenty: viola da gamba, organy
Rodzaj: koncert, wariacje

Abel / Mendelssohn-Bartholdy / Schumann: The 19th Century Viol

Coviello Classics - COV 92001
Kompozytor
Carl Friedrich Abel (1723-1787)
Felix Mendelssohn-Bartholdy (1809-1847)
Robert Schumann (1810-1856)
Friedrich Heinrich Florian Guhr, Hermann Gustav Jaeschke, Franz Liszt, Johann Ludwig Willing, Franz Xaver Chawatal
Wykonawcy
Thomas Fritzsch, viola da gamba
Michael Schönheit, pianoforte, organ
Merseburger Hofmusik / Michael Schönheit
Carl Friedrich Abel:
Concerto G-Dur A9:2 a Viola da Gamba Concertata, Violino Primo, Violino Secondo, Viola et Basso

Hermann Gustav Jaeschke:
Variationen für Viola di Gamba und Piano-Forte über ein Thema aus der Oper „Jakob und seine Söhne“ von Mehul, S[eine]r Excellenz … Herrn Reichsgrafen v. Malzan … gewidmet

Felix Mendelssohn Bartholdy:
Romanze „Wartend“ Opus 9 Nr. 3, MWV K42
Lieder ohne Worte Opus 30 Nr. 3, MWV U104

Friedrich Heinrich Florian Guhr:
[Thema con] Variation pour Viola di Gamba, Violino Primo, Violino Secundo, Clarinetto Primo, Clarinetto Secundo, Cornu I et II, Fagotto, Viola et Basso, dediée a son Excellenz le Comte de Malzan

Robert Schumann:
Abendlied Opus 85 Nr. 12

Franz Liszt:
Consolation Nr. 4 Des-Dur

Johann Ludwig Willing:
9 Variations [sur l’air:
Ei, ei, mein lieber Augustin] OEuvre 17

Franz Xaver Chawatal:
Introduction et Variations Amusantes sur l’air tres favori „Was soll ich in der Fremde thun“
For a long time it was considered certain that the death of the gambist Carl Friedrich Abel in 1787 had, in a way, also buried the instrument. Thomas Fritzsch also shared the traditional conviction that as a gambist he was per se excluded from participating in the sound world of the 19th century. But then he came across several sources, including one in connection with Schumann, that point to the instrument's continued existence. Here he not only presents some works on a viola da gamba of the early 19th century, but also proves impressively that the aesthetics of the Romantic period and the characteristic sound of the instrument are by no means mutually exclusive.

Zobacz także:

  • AV 0014
  • COV 91411
  • AN 29879
  • AUDITE 95647
  • COV 91919
  • HC 19036
  • CDA 68288
  • TXA 16084
  • HC 18100
  • SIGCD 592